Line 6 Bass POD - Reviews and Best Prices!

Here are reviews for the Line 6 Bass POD.

1. Line 6 Bass PODxt Pro

Buy Line 6 Bass POD XT Pro NOW!

Features:

• 28 Legendary and Classic Amp Models and 22 Cab & 4 Mic models, Over 50 Stompbox, Synth, and Studio Effects and 64 Channel Memories
• Flexible Effect Routing, Biamp output mode with selectable crossover, Deep Editing
• USB Digital I/O, Discrete processed & DI outputs, +4dBu / -10dBV balanced 1/4 Inch Outputs, 24-bit/96kHz S/PDIF and AES/EBU Digital Inputs and Outputs, Balanced XLR outputs
• 24-bit A/D and D/A Converters, MIDI In, Out/Thru, Effects Loop
• RJ-45 Foot Controller Connector, USB Connector for Digital I/O, Headphone Output, Precision Chromatic Tuning
• USB Digital I/O, Discrete processed & DI outputs, +4dBu / -10dBV balanced 1/4 Inch Outputs, 24-bit/96kHz S/PDIF and AES/EBU
• Comes equipped with all the elaborate pro connections
• Discrete processed and DI outputs, RJ-45 Foot Controller Connector
• 24-bit/96kHz S/PDIF and AES/EBU Digital Inputs and Outputs, Balanced XLR outputs

• Item Weight: 13 pounds
• Shipping Weight: 12.8 pounds
• Shipping: This item is also available for shipping to select countries outside the U.S.
• ASIN: B0006JNQII
• Item model number: 99-050-0705

Buy Line 6 Bass POD XT Pro NOW!

Bass PODXT Pro gives you world-class tone from the stage to the studio. With over 50 must-have stompbox, studio, and synth effects with flexible routing (6 simultaneous), and over 28 classic and modern amp models, Bass PODXT Pro has everything you'll need to create a monstrous bass tone. With its XLR and 1/4-inch outs, 24-bit/96k digital ins and outs (AES/EBU & S/PDIF), and effects loop, you'll be able to connect to any type of analog, digital, or computer audio hardware. We think that you'll agree that Bass PODXT Pro is about the most amazing thing to happen to the bass guitar since, well, the bass amplifier itself. 

Buy Line 6 Bass POD XT Pro NOW!

Most of the guitarists I know own a Line 6 POD, a little device that looks like a large red lima bean with knobs and buttons on the top. When I first heard of the Line 6 Bass POD Pro, I was curious, as my guitarist friends considered their guitar POD to be indispensable.

I had the opportunity to try one of these out, and right away I knew I wanted to buy one, and soon did. One of the first things you can do is play with the various effects it gives you, like having a bunch of foot pedals linked together. For live sound, you can use its various built-in effects or simulate a cabinet and feed your signal directly to the PA, but I normally just run through my bass cabinet for shows, because for smaller shows, the PA might not have enough low end, and your signal is blended with the rest of the band, so the shaping of sound the POD can do is largely lost when it gets mixed in with everything else the PA is doing. Besides, it looks weird to not have an amp and speaker cabinet near the bass player.

Where this unit really shines, however, is in the recording studio. Many bands will go into the studio, set the drummer up in a large room with lots of mics, and get good drum tracks laid down, while the guitarists, keyboardists, vocalists, bassist, and so forth sit in the control room and play along on "scratch" tracks. The band then goes back and re-dubs the other instruments onto real tracks, one instrument at a time.

Ordinarily, you'd either plug the bass directly into the input on the mixing board, or, less commonly, set up your bass amp in a recording room and mic it, and feed that signal into the mixing board. Most bands spend a lot of time getting a good sound out of what comes out of the mixing board, by tweaking the mic, tweaking the EQ on the input channel, and so forth.

With the POD, you can plug your bass into the mixing board, set the EQ flat, and record your track. Then, when you go to mix down, you can run your bass track through the POD and make it sound like you're using any one of a ton of amp/cabinet combinations. This lets you experiment - "what would it sound like through a 4x10 cab instead of a 1x15?", "how would it sound if I used a tube head instead of solid state for the bass solo?" and so forth - things you could only do by setting up another set of real equipment and re-recording the track if you didn't have the POD.

You can also apply various effects, such as reverb, flanger, distortion, etc. If you're using a recording environment that lets you apply a filter to a track by running through a piece of external equipment (such as how they often add reverb to vocal tracks), then the POD gives you virtually unlimited control over how your bass track sounds in the finish product.

I rate this 4 of 5 stars for a few reasons. First, the S/PDIF sound quality leaves a little to be desired. There's no sense having such killer effects and emulations, then muddying them with a less than perfect A/D converter. I'd use an external A/D if you want a digital signal.

Second, the unit is not very deep. This makes it impossible to stack anything on top of it, and if it is mounted in a rack, it makes it so you have to use a flashlight and reach into the depths of your rack case to plug wires into the back. It's nice that they can package it so tightly, but they could easily just extend the chassis back a bit to make the jacks easier to access.

Overall, this is a solid piece of equipment, both in terms of features and reliability.

Buy Line 6 Bass POD XT Pro NOW!

2. Line 6 Bass PODxt

Features:

• 28 Legendary and Classic Amp Models and 22 Cab & 4 Mic models, Over 50 Stompbox, Synth, and Studio Effects
• Programmable Effects Loop, Routing Options, Deep Editing
• USB Digital I/O, Discrete Processed & DI outputs, +4dBu / -10dBV balanced 1/4 Inch Outputs, 24-bit A/D and D/A Converters, MIDI In, Out/Thru
• RJ-45 Foot Controller Connector, USB Connector for Digital I/O, Headphone Output, Precision Chromatic Tuning

Product Manual [5.80mb PDF]

• Item Weight: 6 pounds
• Shipping Weight: 9 pounds
• Shipping: This item is also available for shipping to select countries outside the U.S.
• ASIN: B000306664
• Item model number: 99-060-0505

Bass POD® XT gives you world-class tone from the stage to the studio. With over 50 must-have stompbox, studio, and synth effects with flexible routing (6 simultaneous), and over 28 classic and modern amp models, and 22 cabinet models, Bass PODXT has everything you'll need to create a monstrous bass tone. In addition, Bass PODXT features A.I.R.™ II cabinet/microphone modeling, which allows you to choose from 4 mic models, along with the ability to adjust the amount of room you hear. The ability to mix and match speaker cabs and mics will help you find the exact vibe you're looking for.
We think that you'll agree that Bass PODXT is about the most amazing thing to happen to the bass guitar since, well, the bass amplifier itself.
Amplifier Models
The tone and technology of Bass POD® XT comes to you as 28 Amp, 22 Cab, and over 50 Effect Models (with flexible pre/post routing) based on a collection of gear recognized by guitarists and bassists the world over as true "tone classics." These models were tweaked through careful, scientific A/B comparisons to the gear that inspired them, with an ear open for the effects of different volume levels and settings of the originals’ tone and gain controls.
But wait — there's more! Bass PODXT has our newest-generation A.I.R. II cabinet/microphone modeling which allows you to choose from 4 different classic mic models and even adjust how much of the room sound you hear! There's even a dedicated studio-quality compressor, full-time semi-parametric EQ, and a Bi-amp (low/high) output mode. Now you're ready to track.
With 64 user/factory presets, many based on some of the most popular songs ever recorded, you'll have instant access to an unbelievable collection of classic bass rigs. Imagine the sonic possibilities of having all the coolest amps, cabs, mics, stompboxes, and studio effects all tweaked, wired-up, and ready to go.

Buy Line 6 Bass PODxt NOW Cheap!

Cabinet Models
Bass PODXT features 22 models of the most historic speaker cabinets ever built. From modern to vintage, you'll have the ultimate collection. And it doesn’t stop there. Bass PODXT has our newest-generation A.I.R. II cabinet/microphone modeling which allows you to choose from 4 different classic mic models.

Amp Models based on*: Acoustic 360 Aguilar® DB750 Alembic F-2B Ampeg® B-15A Ampeg® SVT Eden Traveller WT-300 Fender® Bassman® Fender® Dual Showman® Gallien Kruger 800RB Hiwatt® DR-103 Hiwatt® 200 DR Marshall® Major Marshall® Plexi Super Bass Mesa/Boogie® 400+ Mesa/Boogie® Polytone Mini-Brute Sunn® Coliseum SWR® SM-500 Vox® AC100 Plus Line 6 originals like: Line 6 Tube Preamp Line 6 Sub Dub And six more!

Cabinet Models based on*: 1x12 Euphonics® CXL-112L 1x12 Versatone® Pan-O-Flex 1x15 Ampeg® B-15 1x15 SWR® Big Ben 1x15 Ploytone® Minibrute 1x18 Acoustic 360 1x18 Mesa/Boogie® 1x18 + 12 Sunn® Coliseum 2x10 Ashdown® ABM 210T 2x15 Fender® Dual Showman® D130F 2x15 Mesa/Boogie® 2x15 Vox® AC-100 4x10 Line 6 Original 4 x 10 Fender® Bassman® Combo w/ new speakers 4 x 10 Fender® Bassman® Combo 4 x 10 Hartke® 410 4 x 10 David Eden 4 x 12 Hiwatt® Bass Cab 4 x 12 1967 Marshall® Basketweave w/ Greenbacks 4 x 12 1968 Marshall® Basketweave w/ Greenbacks 4 x 15 Marshall® Major 8 x 10 Ampeg® SVT Cab Microphone Models based on*: Neumann® U47 - close mic'd Neumann® U47 - distant mic'd AKG® D-112 EV® RE-20

Stompboc and Studio Effects
Bass PODXT’s got a bunch of great Stomp, Mod and Delay/Verb effects adapted from Line 6’s DM4™ Distortion Modeler, MM4™ Modulation Modeler, and DL4™ Delay Modeler pedals, some brand spankin’ new bass specific models, plus a dedicated compressor and 6 band semi-parametric EQ. Who says you can get too much of a good thing?

Effects Models based on*: Urei LA-2A® Compressor Mutron III Arbiter® Fuzz Face Electro-Harmonix® Big Muff Pi® Ibanez® Tubescreamer® ProCo Rat Tycobrahe Octavia Boss® CS-1 Compressor MXR®  Dynacomp A/DA Flanger MXR® Phase 90 Mesa/Boogie® 400+ Boss® CE-1 Chorus Uni-Vibe Vibratone Rotary Speaker Opto and Bias Tremolo Boss® DM-2 Analog Delay

Electro-Harmonix® Deluxe Memory Man Maestro® EP-1 Echoplex Roland® RE-101 Space Echo And many more Line 6 originals: Bass Overdrive Bronze Master Deluxe Chorus Deluxe Flanger Spring, Plate, Room & Chamber Reverb Sub-Octave Wah Pedal and more...

Chromatic Tuner
Bass PODXT 's built-in Chromatic Tuner offers precision tuning at the touch of a button. Audio Mute or Bypass options with an adjustable tuning reference are featured as well as hands-free operation when used with the FBV™ series foot controllers.

• Precision Chromatic Tuning
• Audio Mute
• Bypass
• Hands-free Operation (with optional FBV and FBV Shortboard foot controllers) 

Buy Line 6 Bass PODxt NOW Cheap!

Ins and Outs


Bass POD® XT has all the connections you’ll need to cut any type of live or recording gig. Our 24-bit converters and 32-bit floating point processing create a killer tone, delivered through discrete processed & DI outputs with the ability to mix the direct signal into the modeled output. Bass PODXT also features biamp mode with selectable crossover, MIDI In, Out/Thru, RJ-45 Foot Controller Connector, Headphone Output, and USB digital I/O for Mac® and PC recording applications.

Product Description

Bass PODXT gives you world-class tone from the stage to the studio. With over 50 must-have stompbox, studio, and synth effects with flexible routing (6 simultaneous), and over 28 classic and modern amp models, Bass PODXT has everything you'll need to create a monstrous bass tone. 

Buy Line 6 Bass PODxt NOW Cheap!

3. Line 6 Bass PODxt Live

Features:

• Over 50 Stompbox and Studio Effects, 28 Legendary and Classic Amp Models, 22 Cab & 4 Mic models, 64 Channel Memories
• Discrete Processed & DI 1/4-inch Outs, Biamp output mode with selectable crossover, Variax Digital Input, Routing Options
• Built-in Chromatic Tuner, Combination Wah/Volume/Tweak Pedal, Tap Tempo/Tuner Switch, Expression Pedal Input
• Aux Input for CD/MP3 players, drum machines, etc., Full MIDI Support, Headphone Out, USB Digital Recording I/O

Bass PODxt Live Preset Chart [PDF]

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Check out the Line 6 Bass Podxt Live User Manual [PDF]

• Item Weight: 18 pounds
• Shipping Weight: 17 pounds
• Shipping: This item is also available for shipping to select countries outside the U.S.
• ASIN: B0009PRRIO
• Item model number: 99-060-0705

 

The power of Bass PODXT is now at your feet! Included are over 50 stompbox, synth, and studio effects, 28 bass amp models, plus 22 cab and 4 mic models. With its rugged steel construction, Bass PODXT Live™ is ready to take years of real world gig abuse. Whether you use it as the ultimate multi-effect pedal, a direct recording miracle, a powerhouse preamp, a practice partner, or a creative digital signal processing tool, we think you'll agree that Bass PODXT Live is about the most amazing thing to happen to the electric bass since, well, since the bass amplifier itself!
Bass PODXT Live delivers the incredible tones of the acclaimed Line 6 Point-to-Point Interactive modeling technology (as featured in our other POD® XT products and Vetta™ II series guitar amps), fuses it with the wonderfully portable and easy to use POD® which has been the bass recording world standard for years, and smacks it all down on the floor for rugged professional use. So you've got the tonal heritage of the past century of stompbox and bass amplifier design, plus no-compromise recording and direct sound excellence — all ready to roll when you are.
Effects
What bassist doesn’t like effects? Bass PODXT Live’s got a bunch of great Stomp, Mod and Delay/Verb effects sounds adapted from Line 6’s DM4™ Distortion Modeler, MM4™ Modulation Modeler, and DL4™ Delay Modeler pedals. And, there are some brand spankin’ new models that come straight from our flagship combo, Vetta™ II.
But what fun are a bunch of effects if you can’t wire them up in bizarre and unusual ways? Fortunately, with Bass POD® XT Live, you can. Its flexible routing lets you mix and match up to 6 marvelous effects simultaneously. When using an amp model, you can even choose to put some PRE, and some POST. Who says you can get too much of a good thing?
Here’s a simple effects setup where both the MOD and DELAY effects are running PRE:



But perhaps you'd prefer a studio-style routing, with the MOD effect PRE and the DELAY running POST.



This is what the full signal flow looks like inside Bass POD XT Live, including the pre and post options for Mod, Delay/Reverb and the Volume pedal:




Chromatic Tuner and Tap Tempo Effects
Tap (Hold/Tuner) - Bass PODXT Live lets you control the time and speed of your effects by simply tapping on this button. To use the TAP control, just tap the button at the tempo you want and the effects will change to match what you tapped.
But wait, that’s not all. Hold the footswitch for about 2 seconds and… bling, bling: instant digital chromatic tuner! Play a note and Bass PODXT Live will show you what it is - and whether it's in tune - on that handy display.
Amplifier Models Bass POD XT Live has an incredible collection of amp and cab models that have been used on countless hit recordings. Based on the most prized amplifiers in the history of bass, Bass PODXT Live features 28 amp models and 22 cab models that will take you everywhere from classic and boutique, to modern and beyond.
Bass PODXT Live also has our A.I.R. II cabinet/microphone modeling, which allows you to choose from 4 mic models, along with the ability to adjust the amount of room you hear. Bass PODXT Live's ability to mix and match speaker cabinets and mics will help you find exactly the vibe that you're looking for.
Ins and Outs
Bass POD® XT Live has a simple, gig-ready setup that’s adaptable to all your different stage and studio needs. Whether you’re running it as a multi-effect pedal in front of a bass amp (or into its FX loop), or straight to the house PA, Bass PODXT Live is the best way to take total control of your sound at the gig.
USB - Bass PODXT Live’s USB jack lets you connect to most computers and record Bass PODXT Live directly to a wide variety of popular digital recording software packages. We’ve even included a USB cable to get you started. You can get the required driver software — and easily get it installed along with any other Bass PODXT Live -related computer stuff — by using the free Line 6 Monkey software, which you can download at www.line6.com/monkey.
Variax Digital Input - Connect a Line 6 Variax® Bass here, and experience a whole new world of possibility and sound-control power. In addition to a direct digital audio connection between the bass and Bass PODXT Live, you can have the Variax change sounds each time you choose a new Channel Memory from Bass PODXT Live’s footswitches or SELECT knob. And, you can even tweak the sound of your Variax Bass tone with Bass PODXT Live’s built-in pedal! Learn more about Variax Bass 700 here!
MIDI In & Out - Connect Bass PODXT Live to your MIDI equipment to select Channel Memories (via Program Change messages), or automate Bass PODXT Live settings (via controllers and/or SySex).
Phones - When you want to listen with headphones, plug them in here. Bass PODXT Live automatically switches to Studio Mode whenever headphones are connected.
Output To Amp/Line - The unbalanced 1/4-inch connectors here get Bass PODXT Live feeding into the front of a bass amp, otherwise, choose LINE. The rear panel LEVEL knob sets the output level. Changing the OUTPUT level does not change your tone, so you can get the tone you want at any volume level.
The MODEL connector gives you the fully processed Amp+Cab+Effects+Mic signal generated by Bass PODXT Live. The D.I. connector gives you an unprocessed time- and phase-aligned version of your signal.
Aux Input - Connect a CD player, MP3 player, drum machine, virtual accordion, or other device here, and you’ll hear it at Bass PODXT Live's headphone and Amp/Line outputs. Very handy for jamming along!
Input - Your bass goes here. Set the switch to norm for use with most passive pickup instruments. If you have to put two 9-volt batteries in your bass to make it rock, flip the switch to pad to prevent overdriving Bass PODXT Live’s input in an unpleasant-sounding way.
Pedal 2 - You can add even more real-time control by connecting a standard expression pedal, such as the Line 6 EX-1. You’ll be able to control Wah, Volume, and Tweak functions all at the same time!
On Stage
When you’re playing on stage with Bass POD® XT Live, you’ve got a choice of setups. Bass PODXT Live can be in between your bass and a bass amplifier so Bass PODXT Live acts as a tone-shaping front end for the amp. You can also plug straight out of Bass PODXT Live’s outputs into the house system for awesome amp and effect tone without the hassle of mics and cabinets.
Or you can choose to run Bass PODXT Live into a power amp and speaker cabinets, using it as the ultimate preamp. Whichever setup you choose, all you have to do is dial it up the right setting in Bass PODXT Live.
What are you connecting to?


STUDIO DIRECT - When plugging Bass PODXT Live straight into a P.A., or using in-ear monitoring systems, select STUDIO DIRECT for amazing amp and effect tone, night after night. Line 6’s exclusive A.I.R. II processing serves up a virtual speaker-cabinet-air-microphone experience so good you may never use a regular bass amplifier and microphone on stage again. You’re as powerful as the entire P.A. — and guaranteed to be in the mix!
LIVE W HORN, LIVE W H EQ, LIVE NO HORN, LIVE NO H EQ - Choose one of these settings when plugging into a combo amp, head and bass cabinets, or power amp and bass cabinets. Choose LIVE NO HORN or LIVE NO H EQ if your system doesn’t have a horn or high frequency driver, or you’ve chosen to turn them off on your speaker cabinet. Choose the LIVE W HORN or LIVE W H EQ option if your system includes a horn or other high frequency driver. The Mic component of A.I.R. is turned off, and the Cabinet Models are revoiced to sound their best coming through the kind of setup you choose. The two "with EQ" modes also give you Tone Correction controls.
What is Tone Correction?


The idea of these Tone Correction controls is to adjust Bass PODXT Live’s overall sound to compensate for the tonal response of the preamp section of the amp that you’re plugging into. We’ve found that it is often necessary to reduce the low frequency or high frequency parts of the Bass PODXT Live to get decent results in this sort of a configuration, or shift the focus of the mid frequencies, so that’s what these controls are set to do.
Bi-Amp Mode - Bass PODXT Live includes a Bi-Amp Mode. Bi-Amping is the technique of using a crossover to split a signal into its higher frequency and lower frequency portions, and sending each frequency range to a different amplification system. Lows would typically be sent to a power amp setup with lots of wattage and large diameter speakers, while highs would be sent to smaller diameter speakers and/or horns. Bass PODXT Live’s Bi-Amp Mode includes selectable slope and frequency.

Product Description

The power of Bass PODxt is now at your feet for pro stage use! With its rugged steel construction, 11 channel select and effect on/off footswitches, and built-in volume/tweak pedal, Bass PODxt Live is ready to take years of real world gig abuse. Included are over 50 stompbox, synth, and studio effects, 28 amp models, plus 22 cab and 4 mic models. Bass PODxt Live delivers 6 simultaneous effects including stompbox and studio effects that can be flexibly routed to meet your unique sonic needs. Features include a dedicated compressor and 6 band semi-parametric EQ, discreet dry and modeled outputs, biamp output mode with selectable crossover, USB digital I/O, and a Variax Bass digital input so you can call up a fully customized bass, amp, and effect setup all by stepping on a single footswitch. 

I really enjoy the amp models and most of the effects. Really easy to use and program. The synth modes I can live without, though. I just can't see myself using them. I made myself two different presets for everyday/gig use. I've been playing bass for about 23 years now, and I don't think I've had this much fun with an effects pedal board since I started. 

The Line 6 Bass PODxt Live includes over 50 stompbox, synth, and studio effects; 28 amp models; and 22 cab and 4 mic models! 11 channel select and effect on/off footswitches mean easy control. Delivers 6 simultaneous effects that can be routed to meet your unique sonic needs. Features a dedicated compressor and 6-band semi-parametric EQ, discrete dry and modeled ouputs, biamp output mode with selectable crossover, USB I/O, and a Variax Bass digital input so you can call up a fully customized bass, amp, and effect setup.

28 Legendary and Classic Bass Amp Models
22 Bass Cab & 4 Mic models
Over 50 Stompbox and Studio Effects w/ Flexible Routing
6 Simultaneous Effects
64 Channel Memories
Variax® Bass Digital Connection
Discrete outputs for modeled and direct sound
Large Backlit Display
Dedicated Stompbox On/Off Footswitches
Large Backlit Display
Combination Volume/Expression/Wah Pedal
Built-in Chromatic Tuner
Tap Tempo/Tuner Footswitch
Input for additional Expression Pedal
Onboard Deep Editing
USB Digital I/O
Biamp output mode with selectable crossover
Headphone Out
Aux Input for CD/MP3 players, drum machines, etc.
Full MIDI Support

Pros: Good tone quality, low noise, many amps in one, versital, recording Cons: Very Low output signal,

I have owned a BNX3, and many effects pedals. I worked in a music store for a few years and ran it for a couple. Also I have owned (or used more than 10 times) the following equipment. Ampeg SVP PRO, Ameg SVT4 PRO Eden navigator Eden 550 Genz benz 1200 Genz benz 210 combo Fender 115 peavey TNT 115 Harkey 3500 head ampeg SVT CL Avalon U5 SWR grand prix MESA 400+ In a live situation or recording with other instruments you can get the sound of any of the amps I have played. Plus you can add effects and stomp boxes. If you are playing alone and unfamiliar with the POD XT LIVE you may think it sounds funny for one reason or another. After some time with it you can figure out how it is working with your rig and set it correctly. I have to turn the tweeter adn mid speaker down on my Acme 210 cabs with the line 6 where I have them full on with other preamps/amps. Buy Line 6 Bass PODxt Live NOW! For around $300 this is much better than carrying an old $1200 ampeg tube amp for dirt, and another $1200 amp for clean, and then $500 in pedals. I would recommend this to anyone who plays more than one style of music. Its output is very low, and the volume pedal minimum function does not operate well. I can not get a full volume out of my QSC and in comparison the output of my bass alone is louder than its highest output. I only use 3 amps... however I have different presets for different songs with effects/timed delays to fit each song while keeping the same amp tone.

Buy Line 6 Bass PODxt Live NOW!

4.  Line 6 Bass FloorPOD

Buy Line6 Bass FloorPOD NOW!

Features:

• 64 presets
• 5 Amp Models (plus a synth) and 3 Smart Control Effects, all based on the models found in the LowDown Bass Amp series
• 3 Durable footswitches and Wah/Volume pedal
• CD/MP3 jack
• Headphone/Direct Out

• Item Weight: 6.8 pounds
• Shipping Weight: 7.5 pounds
• Shipping: This item is also available for shipping to select countries outside the U.S.
• ASIN: B000N35ISS
• Item model number: 99-060-1005

Buy Line6 Bass FloorPOD NOW!

The Line 6 Bass Floor POD delivers an instantly accessible set of professional bass amp and effect sounds whether you're headlining a gig or practicing in your bedroom. The newest addition to the award-winning POD® line, this stage-ready package uses the latest-generation Line 6 modeling technology to give you those jaw-dropping, mind-blowing bass sounds you crave. Use the 5 bass amps models, synth model, and Smart Control FX to create your custom signature sound, or choose from the 64 killer presets dialed-in by professional bassists and engineers. If you're looking for professional bass sounds in a portable, affordable package then Bass Floor POD is for you. AmericanMusical.com is an authorized dealer of Line 6 products. 

Buy Line6 Bass FloorPOD NOW!

Enjoy!

Line 6 POD 2.0

Features:

• 32 Legendary and Classic Amp Models
• 16-studio quality effects
• 36 Channel Memories
• Stereo balanced and unbalanced -Inch outputs
• MIDI In, Out/Thru

• Shipping Weight: 6.5 pounds
• Shipping: This item is also available for shipping to select countries outside the U.S.
• ASIN: B000JKR86U
• Item model number: 99-062-0405

Buy Line 6 POD 2.0 NOW Cheap!

 The industry standard for direct recording in the studio, POD® 2.0 delivers the tones heard on hit records everywhere. If you're frustrated trying to record great guitar amp sounds POD 2.0 is the answer. ou get a wide variety of classic and modern guitar sounds with convenient, easy-to-use effects built right in.
Our revolutionary A.I.R.™ modeling accurately captures the tone and feel of speaker cabinets, microphones, and studio room characteristics for an amazing recorded sound direct to any recording setup or PA. Sounds like having a great amp mic'd by a great engineer in a great studio.

Amp Models Based on*: ’64 Fender® Deluxe Reverb® ’59 Fender® Bassman® ’68 Marshall® Plexi 100 watt Marshall® JTM-45 meets Budda Twinmaster ’60 Tweed Fender® Champ® Budda Twinmaster head ’65 Blackface Fender® Twin Reverb® ’60 Vox® AC 15 ’60 Vox® AC 30 non-Top Boost ’85 Mesa/Boogie® Mark IIc+ Clean Channel ’85 Mesa/Boogie® Mark IIc+ Drive Channel Dumble® Overdrive Special Clean Channel ’95 Mesa/Boogie® Dual Rectifier® Head ’89 Soldano SLO Super Lead Overdrive Dumble® Overdrive Special Drive Channel 1987 Roland® JC-120 Jazz Chorus Line 6® Insane  Buy Line 6 POD 2.0 NOW Cheap!

Cabinet Models based on*: 1960 Fender® Tweed Champ® 1952 Fender® Tweed Deluxe Reverb® 1960 Vox® AC-15 1964 Fender® Deluxe Reverb® 1965 Fender® Blackface Twin Reverb® 1967 Vox® AC-30 1995 Matchless Chieftain 1959 Fender® Bassman® 1996 Marshall® with Vintage 30s 1978 Marshall® with stock 70s 1968 Marshall® Basketweave with Greenbacks Line 6® 4x12 Line 6® 1x12 Line 6® 2x12 Line 6® 4x10

Effects
POD® 2.0 comes with a built in set of effects that are tweaked to perfection. This "best of" collection of effects makes searching for the perfect sounds ultra easy. Multiple versions of the effects give you rack or stompbox versions, and the combination effects give you classic setups like Delay and Chorus simultaneously.
There’s even a full time Reverb, Tap Tempo for getting your delay’s in time with the band, and an Effect Tweak knob for custom tailoring your effects. Plus, you’ll never be out of tune because you’ll get a Chromatic Tuner with a silent mute function for tuning between songs.

POD 2.0 Effects:
Compressor Tremolo Chorus 1 Chorus 2 Flanger 1 Flanger 2 Rotary Speaker Delay	Delay/Compressor Delay/Tremolo Delay/Chorus 1 Delay/Chorus 2 Delay/Flanger1 Delay/Flanger2 Delay/Swell Reverb

Ins and Outs
POD® is equipped to handle today’s guitar recording needs with +4dBu balanced or -10dBV unbalanced 1/4" connectors. MIDI lets you automate every move and our optional FBV™ generation foot controllers let you do it all with your feet. POD 2.0 also comes with a high-power headphone output for silent jamming.

• Input - Plug your guitar in here.
• Phones - Plug in your headphones here for silent practicing.
• Left & Right Output - These are balanced 1/4" TRS connectors, and ready to rock with pro +4 dBu balanced equipment. They will also work happily with unbalanced -10 dBV equipment and standard guitar cables.
• A.I.R.™ Mode – If you want to plug POD into a guitar amp as "front end," flip the A.I.R. Mode switch to AMP, and set your amp for a clean tone. This defeats the speaker-microphone-room tone simulation of the A.I.R. processing. If you’re using POD in almost any other setup (plugging direct into a mixer, recorder, PA, power amplifier, etc.) you want the DIRECT position on the A.I.R. switch.
• Foot Pedal Connector - POD® 2.0 is now compatible with the entire line of current foot controllers including FBV Express™ and FBV Shortboard™!
• MIDI In & Out - Connect POD to your MIDI equipment to select channel memories or automate POD settings.

Pod 2.0 Frequently Asked Questions
Does the new 3-digit display POD® 2.0 have the same amps and effects as the old one?
Yes! It is exactly the same.
Does the new 3-digit display POD 2.0 sound just like the old one?
Yes!
Does POD 2.0 support the new floorboard controllers like FBV Express™?
Yes. POD 2.0 is now compatible with the entire line of current foot controllers including FBV Express™ and FBV Shortboard™!
Can I still use the old FB-era controllers too?
No.
Is there another way to tell what POD takes what pedal?
Yes. Older POD 2.0 units that have a jack labeled "PEDAL" only support the older FB4™ and Floor Board® foot controllers. POD 2.0’s that have a jack labeled "FBV Pedal" support the current line of FBV™ foot controllers.
Can I put Model Packs in POD 2.0 to make it the current Vetta-based models?
No. POD 2.0’s architecture doesn’t support Model Packs.
Can I connect to GuitarPort Online™?
No. Only XT-based PODs with USB can log into the GuitarPort Online service.

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A new standard in direct guitar recording, POD is the ultimate guitar direct recording/performance tool with acclaimed Line 6 modeling and built-in stereo effects. Line 6's revolutionary A.I.R. Modeling accurately captures the tone and feel of speaker cabinets, microphones, and studio room characteristics for an amazing recorded sound on everything from the most prestigious pro studio setup to a multi-track cassette. Sounds like having a great amp mic'd by a great engineer in a great studio. The ultimate guitar Direct Recording tool with acclaimed Line 6 Modeling and built-in Stereo Effects. This baby can also be used as a Tone-shaping front end for any Guitar Amp, Live PA, or with Headphones. 

I've been playing guitar for 15 years now, and I've had a few different amps and heaps of stomp boxes over the years. Nothing will ever replace a real amp, or analogue stomp boxes, and I'm not claiming this little gadget will. So here's my situation and my impression of the Line 6 Pod 2.0:

I live in an apartment. My amps are long since gone (needed the money, so I sold them) but I really wanted something to plug into. Buying an amp really wasn't an option, unless I also wanted to find a new place to stay. I worked at Guitar Center years back and I remembered toying with these during the down time. So I picked one up a few months ago. I've been running it through my stereo system, and for what I do with it, I really can't complain.

The various amp models are all decent. You're not going to get a true Boogie or Marshall stack sound out of this. It does well enough so you can tell what it's emulating, but that's it. The special effects are nice. Simple to use and very functional. I really like all the knobs it has on it, as it allows you to sculpt your tone.

You'll hear some people complain about this. "It sounds sterile" or "That's not what a Vox sounds like..." Well, they're not wrong, but anyone looking for a pure sound out of a $200 digital device can't be that bright. The Pod gets the idea across, and it does a good job doing so.

I recommend the Line 6 Pod if:
*You live in an apartment and you can't have a real amp without getting evicted
*You live with other people and jam it out at night or when other people need quiet
*You're trying to record music and you want a variety of amp sounds and don't have a lot of money
*You enjoy like gadgets with lots of knobs and tons of different sounds to experiment with.

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This is one modeler which really does kick I have tried a number of these so called modelers and the Line 6 POD certainly does come at the top.I have used this mostly for home use and have not yet taken it out to gigs but shortly this is going to happen.
The unit is dead handy as it does not need an amplifier to work it i have this running through a HIFI as it is usually needed to practice new material and sits there in a convenient space on the desk.
The manual that comes with it explains all the different types of amps that it can emulate even the very expensive Messa Boogie amp is in here so to get that perfect Santana sound its here baby!Also on this unit you have a direct Amp A.I.R Mode so you can see what the requiredsound is like for an open or closed backed amp.
The manual that comes with it is very thick i thought there could never be that much to read about this unit and you will find it is in different languages hence the size of it.
Be very wary of one important aspect of this unit. Although there is some information concerning this unit and the aspect i will mention shortly it is not very well placed and the novice could end up with a unit which is totally useless.
The aspect deals with the Pedal Board that can be connected to the POD 2.0.
You must be aware that if you have the old Floorboard or FB4.
The Floorboard which came out with the original POD will not work on the POD 2.0. The POD 2.0 has an FBV Pedal labled connection where the older version had pedal connection instead.I don't favour the Ethernet connection either as this to some might be tricky to plug or unplug although once the plug is in it cannot be easily pulled out unless the lug has snapped off the ethernet plug itself. I have no gripes with this unit and would recommend it to anyone however be aware of the type of pedal which can be connected to it as this could be a costly mistake.

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I've owned a Line 6 POD 2.0 for a couple of years now. I was looking for something a little more robust than my Digitech Genesis 1. The POD came highly recommended, was not inexpensive, and so I figured the unit must be good. That evening when I plugged it in, I was anticipating an experience somewhat similar to what I'd had using other similar devices by Digitech, Boss, & Zoom. What I experienced was several hours of disillusionment and frustration. The device is real easy to plug in and get sound out of, the same as the other devices I'd used. The problem was the sound I got out of the POD 2.0. It did not sound good. The sonic deficiency is difficult qualify, but essentially, the unit sounds flat & unconvincing. Similar to the effect you get if you wire speakers or guitar pickups out of phase: the sound you get is constantly trying to cancel itself out with only partial success. You get a hollow sound, and with speakers, you lose most of the definition, including the ability to isolate where the sound is coming from. With the POD 2.0, I knew where the sound was coming from and I didn't like it. I chalked up my experience to user error. Surely the problem lay with me. I figured the unit is SO capable, that its complex, and since its new to me, I just didn't know how to tweak it into acceptable auditory form. As loathe as it was, I broke out the manual. I lined up all the shortcut hint-cards that came with the unit, logged onto the Web, and sat down to learn how to properly use the device. I spent days reviewing every line in the manual. I read between the lines just in case there was some piece of universal knowledge that somehow wasn't bestowed upon me. I read forums, and opinions, and lots of other stuff. I input custom patches created by others. I tried different guitars, cables, audio amplifiers, speakers, and had other musically-trained ears listen to the output from the POD. The inescapable conclusion was that the sound the POD 2.0 produces is crud. The unit is very solidly constructed. It comes with quite a manual (though it does take more space on its pages bragging about how wonderful it is than I would like to see in a manual). The switches and knobs and buttons and lights all work very well. It sports a gorgeous paint job. It just doesn't perform its primary duty adequately.

At the risk of sounding like I just hate Line 6, I'll add that the interface ergonomics of the unit, i.e. the way the controls function, the guides painted for the various options, is counter-intuitive. Sure, after memorizing the manual the device is easy enough to use, but what rock-n-roller has the time (or inclination) to read the manual? The other devices I have, Digitech Genesis 1, several Zoom multi-effect boxes, Boss & Ibanez effect boxes, Rockman II, and on and on, can all be operated without reading the manual, simply by utilizing the minimum of instruction silk-screened on their cases. The Digitech is dead simple. It has a knob, it tells you what the knob does, and has a description painted on the case for each possible setting. Not the POD.

Both of these issues are inexcusable. For a company as full of themselves as Line 6 is (as evidenced by the boasting going on in the manual), you'd think they'd actually pay attention to the basics and produce something with a modicum of usefulness.

I didn't return the unit, though I wish I had. Even after all those days reading and experimenting with the POD, I still figured it was me. So I kept at it off and on for several more months without even achieving sound as good as I got from my Zoom (straight out of the box with no adjustment). With the popularity of Line 6's guitars and modeling amplifiers, I've tried episodically to figure out where I'm going wrong configuring the POD 2.0. I've come to realize where I went wrong was in purchasing the device.

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Line 6 Pocket POD

Features:

• 300+ Presets -- Including exclusive rock star presets with unrivaled tone
• 32 Amp Models, 16 Cab Models -- Mix and Match amps and cabs to create your own unique sound
• 16 Effects -- Built-in in set of effects that are tweaked to perfection
• Chromatic Tuner -- The built-in tuner can be set to mute for those on-stage tunings between songs,
• CD/MP3 Jack -- Jam along with your favorite songs, Portable Design --Weighs just over 6 ounces! Only 5 x 3.25 x 2.5 inches in size
• USB Connectivity -- Edit your presets on the computer with FREE software from Line6

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Pocket POD exhibits all the celebrated features and pro tone that makes POD a standard in recording studios everywhere. Don't be fooled by the smaller package, Pocket POD is packed with over 300 custom presets dialed in by some of today's hottest rock stars like Maroon 5, P.O.D., 311, Hoobastank and many more.

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Battery-powered and about the size of a tuner, Pocket POD is completely portable. Use it for effects in front of your amp, or just plug in headphones and practice anywhere, anytime.
Connect to any computer via USB, then download the free Vyzex software and "deep dive" into all your tone details to create your own custom tone, or manage your own personal tone library right on your desktop. Or visit CustomTone.com to download any of the 3,000 free presets created by guitarists from around the world.

Amps and Cabs
Pocket POD® comes packed with 32 classic and modern amp models, along with 16 cab models, letting you create mind-blowing guitar tones wherever inspiration strikes.
Our A.I.R.™ modeling technology accurately captures the tone and feel of speaker cabinets, microphones, and studio room characteristics. Mix and match speaker cabinets and microphones to find the precise vibe you're looking for.

Amp Models based on*: ’64 Fender® Deluxe Reverb® ’59 Fender® Bassman® ’68 Marshall® Plexi 100 watt Marshall® JTM-45 meets Budda Twinmaster ’60 Tweed Fender® Champ® Budda Twinmaster head ’65 Blackface Fender® Twin Reverb® ’60 Vox® AC 15 ’60 Vox® AC 30 non-Top Boost ’85 Mesa/Boogie® Mark IIc+ Clean Channel ’85 Mesa/Boogie® Mark IIc+ Drive Channel Dumble® Overdrive Special Clean Channel ’95 Mesa/Boogie® Dual Rectifier® Head ’89 Soldano SLO Super Lead Overdrive Dumble® Overdrive Special Drive Channel

1987 Roland® JC-120 Jazz Chorus Line 6® Insane Cabinet Models based on*: 1960 Fender® Tweed Champ® 1952 Fender® Tweed Deluxe Reverb® 1960 Vox® AC-15 1964 Fender® Deluxe Reverb® 1965 Fender® Blackface Twin Reverb® 1967 Vox® AC-30 1995 Matchless Chieftain 1959 Fender® Bassman® 1996 Marshall® with Vintage 30s 1978 Marshall® with stock 70s 1968 Marshall® Basketweave with Greenbacks Line 6® 4x12 Line 6® 1x12 Line 6® 2x12 Line 6® 4x10

Effects
Pocket POD® may be smaller than most stompboxes, yet it comes packed with 16 professionally designed effects models allowing for a wide variety of personal tonal character. Tweaking effects is easy with the bright LCD interface and easy to use knobs and buttons. Download the free Vyzex editing software at Line6.com to "deep dive" and fine-tune each detail of your own custom tone.
Multiple versions of effects give you rack or stompbox options, and the combination effects give you classic setups like Delay and Chorus simultaneously.

Pocket POD Effects:

Compressor Tremolo Chorus 1 Chorus 2 Flanger 1 Flanger 2 Rotary Speaker Delay

Delay/Compressor Delay/Tremolo Delay/Chorus 1 Delay/Chorus 2 Delay/Flanger1 Delay/Flanger2 Delay/Swell Reverb

Ins and Outs

Connect your Pocket POD® directly into your amp or PA system, and transform your sound with perfect tone and all the amp modeling and effects only found on POD.
The headphone jack out allows you to practice anywhere without disturbing the neighbors, and the CD/MP3 jack gets you jamming along with your favorite bands.
Practice anywhere! Pocket POD runs off 4 AAA batteries. A 9V DC power plug is great for when you're not on the go. 5" long by 3 1/2" wide by 2" deep, and weighs in at a mere 6 oz, Pocket POD is your completely portable multi-effects solution.
Pocket POD comes with a USB to USB Mini cable connection. "Deep dive" into all your tone details using the Vyzex software. Create your own custom tone or manage your personal tone library right on your desktop. (Pocket POD is a class compliant USB MIDI device. You will not be able to directly record over a USB connection.)

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This thing is great for practicing with head phones. The wide variety of sounds make for a more authentic practice session (so when you're playing U2 songs, you don't sound like ACDC and vice versa) and makes practicing more fun.

The only big downside is that it sucks down power like nobody's business. I bought four high-end AAA batteries and the Pod ate them in a about a week of playing for less than 2 hours a night. Furthermore, the manual states that only non-rechargeable batteries (or the optional AC adapter) should be used. I now plan to buy the Line 6 DC1, which is line 6's 9 volt adapter, from Amazon soon.

Another, much smaller downside is that the real manual is only available in PDF format from Line 6's web site. But if you're at Amazon, you probably have an internet connection.

While getting the manual, you should probably also download Vyzex, which is Line 6's software for editing the tones from the Pocket Pod. This software isn't absolutely necessary for using the Pocket pod, but it does make editing tones somewhat easier, and it also allows the use of download tones (which work somewhat like synthesizer patches.) I also think the software could be better designed.

Still, I'm very pleased with the product. When you consider it's cost versus the cost of an amp head, plus stomp boxes, etc., the variety of amps and effects modeled, and the fact that the Pocket Pod doesn't take up much space at all, it's a great deal, especially someone like me who practices in an apartment. 

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Having owned other Line6 hardware and having good experiences with this I bought this device to take to work and jam at on my lunch break. I regret this decision....

First, the good things. It sounds pretty decent if you like to play rock or metal. Its not great, but for jamming along with your mp3 player and practicing it works perfect. There are a ton of different sounds you can coax out of this device. Other people have complained about the interface but I don't have any troubles with it. There are some features you can't manipulate unless you plug it into a computer and use their software, doesn't bother me though. Its portable and runs on batteries. All you need is your guitar, cable, and headphones. Back-lit screen is nice and legible.

The bad: The modulation effects are pretty cheesy and digital sounding. Eats batteries very quickly Clean sounds are just meh, but if you aren't using it for recording it should be fine.

Here my main beef: The build quality of this device is not up to normal Line6 standards. It is very flimsy cheapo plastic. I'm still wondering where the real Line6 device is because this seems like a crappy cheap Chinese copy of a Line6 device. I dropped mine onto indoor carpeting and the screen cracked, making it unusable. Line6 considers this device to be consumable and will not help you fix it. They tell you to use their authorized service center to repair...ok, I contact every single one on the list and they all tell me the same thing, deal with Line6 directly. So I try, and Line6 tells you to use an authorized service center... I don't like being treated like this and playing these games. I broke it an am willing to pay for a repair but they just want me to buy a new one. Heck, sell me a new screen and I will solder it in myself (I work in electronics). No go. Digitech never treated me this way with any of their products, in warranty or not.

If you buy this be extremely careful with it. I'm not joking, this thing is flimsy. Its not high impact plastic... its thin and fragile. If you have an issue, good luck dealing with Line6. In this economy you'd think they would do whatever it takes to maintain customers but I guess thats not the case. Their business model must make them immune to these things.

I wanted to like this thing, I really did. My old POD 2.0 is great and sturdy. This pocket thing is an example of a great concept implemented very poorly.

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Line6 is a company that revolutionized professional grade studio guitar processing in the late 1990's with the original POD... Studio musicians from New York to Nashville began praising this little red box they could carry around in their backpack and into the studio instead of the usual crate of amps... Yes, the POD sounded THAT good. Since it's introduction, Line6 has revised the POD every few years to improve features, the Pocket POD technology (processing chips) are identical to the POD 2.0, the sound you get is the same grade... the only difference is the size of the unit and the Pocket POD is missing some of the more high-end input/outputs (MIDI, foot switch control, etc...) other than that, the Pocket POD is a second generation POD with a budget price tag. So here you get professional studio grade amp simulation and effects for under $150 and you can carry this around in your pocket.

Now putting the core technology (which is very good) aside and getting into features. The Pocket POD comes with an excellent set of presets. You can select by BAND, STYLE or USER. As I mentioned, the POD is used by professional musicians, BAND presets are presets created with direct input from the pros. Want to dial up Hoobastanks guitarist sound on The Reason? It's already programmed for you along with about a dozen others artist presets created by the artist themselves.

There are many more STYLE presets, style presets are approximation of specific artist recorded tone on specific songs, they have names easy to reconize like: CRAZY TRAIN, JUMP, FREE FALLIN, DUST WIND, SANDMAN, ANOTHER BRICK, WHOLE LOTTA LOVE etc.. Most of them sound fantastic.

Just dial up a specific tone patch then use one of the four silver knobs to adjust: Gain, Effect Level, Delay Level and Volume. There are so many of these presets many guitarist will probably never even bother to "deep edit", but for those who want more, Line6 has a free program that you can download for MacOS X and Windows that allows you to build your own presets and store them in the Pocket POD. The Pocket POD connects to a PC through an included USB cable and then the user can select a specific amp head, amp cabinet, add effects, etc... You can build your own virtual guitar rig and then store it in one of the included user preset spots.

CONNS:
The "deep edit" software I mentioned above does not work on many notebook PCS and will not work through USB hubs. This will leave many users wanting more frustrated. Also, no power supply is included and the battery life here isn't good. User manual is essentially 3 pages printed in many languages, no manual for the software (and how hard would it have been to include it on a CD-ROM in the box?) 

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Buy Line 6 DL4 Delay

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The Line 6 DL4 Delay Stompbox Modeler is the first stompbox to give you digitally modeled effects. Includes 16 vintage delay and echo effects including Tube Echoplex, Space Echo, Deluxe Memory Man, Analog Delay, Reverse, and many more. It also provides for 3 programmable presets and an onboard Tap Tempo control, 14 seconds of sample-loop memory, true bypass switching, an expression-pedal input for realtime control of all effects settings, and stereo inputs and outputs. 

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(For optional EX 1 Expression Pedal see recommended accessories on this page.)

Line 6 DL4 Delay Guitar Effects Pedal Features:

• 16 vintage delay and echo effects including Tube Echoplex, Space Echo, Deluxe Memory Man, and more
  Provides for 3 programmable presets
  Tap tempo control
  14 seconds of sample-loop memory
  True bypass switching
  Expression pedal input
  Stereo inputs and outputs

Like buying a bunch of classic delays in one. Order today.

Features:

• 3 programmable presets and on-board Tap Tempo
• True Bypass switching, so your direct tone is exactly that; direct from your guitar to your amp
• Expression Pedal Input - for real time control of all effect settings
• DL4 runs in discrete stereo, both inputs and outputs, so Left stays left and Right stays right. (Loop Sampler sums signal to mono)
• Runs from batteries or optional power adapter.

Manufacturer's Description for Line 6 DL4 Delay Modeler Pedal

The Line 6 DL4 Delay Modeler offers you an incredible array of sounds, from a tube driven, tape loop echo (complete with adjustable wow and flutter), through 24-bit squeaky clean digital echo, to real-time reverse delay. Not only that, but the Line 6 DL4 gives you complete programmable control over all aspects of the sound in the studio and on the stage. Incredibly simple to use, the Line 6 DL4 is an amazingly powerful tool offering you delay effects never before available in a single box.

The Line 6 DL4 and Flexible Digital Modeling

The Line 6 DL4 offers digital modeling based on 15 of those vintage delay and echo effects you've always yearned for. The DL4 includes EP-1 Tube Echoplex, EP-3 solidstate Echoplex, Space Echo, Deluxe Memory Man, Reverse delay, Rhythmic delay, Dynamic delay, and many more.

The Loop Sampler on the Line 6 DL4 includes 14 seconds of memory + 800ms of Pre-delay (sort of a delay within a delay), and features half speed and/or reverse overdubbing, and more.

The Line 6 DL4 is Flexible and Rugged

The Line 6 DL4 packs models of those sounds and many more into a rugged, road-tested steel housing that can run for up to 30 hours on four "C" batteries or with the optional PX-2G power adaptor. Models of classic delay boxes—and the sweet choruses and vibratos that accompany many of them—are just the beginning; the Line 6 DL4 also boasts innovative sounds like its "Auto-Volume Echo," which combines a volume swell with a tweakable tape-style echo; or the outstanding "Reverse Delay," which allows you to play stunning backwards guitar solos on the fly.

With the Line 6 DL4, you also get those U2-style "Rhythmic Delays" in several metric flavors, super-cool "Ping-Pong Delay" effects, and outrageous stereo panned repeats. Look, if it ain’t in the DL4, it probably doesn’t exist...until you create it. What's more, with its onboard 14-second looper, the Line 6 DL4 is both the perfect practice tool and the ultimate creative canvas for crafting overdubs and creating textures, with its 1/2 speed and reverse modes ideal for sonic adventurers and arrangement-minded recordists alike.

The Line 6 DL4: Easy to Use

Like all Line 6 stompbox modelers, the DL4 boasts a simple and sturdy front panel design, with four footswitches for saving and recalling your sounds, and six knobs for selecting models and tweaking parameters, with distinct assignments for each knob depending on the delay model you’ve chosen. Paired with the optional EX-1 expression pedal, which lets you morph between two radically different settings for each of your sounds, the Line 6 DL4 is truly the ultimate delay pedal, making the history of echo and delay available to your creative future.

Line 6 DL4 Features:

- 3 programmable presets and onboard Tap Tempo.
- True Bypass switching, so your direct tone is exactly that; direct from your guitar to your amp.
- Expression Pedal Input - for real-time control of all effect settings.
- DL4 runs in discrete stereo, both inputs and outputs, so Left stays left and Right stays right. (Loop Sampler sums signal to mono.)
- Runs from batteries (a set is included) or optional power adapter. 

When you have a DL4, the idea of having a delay pedal that does one kind of effect seems just silly. If you want to use delay, you want this pedal. It has the standard digital and (modeled) analog delays, but also has unique delays like reverse, ping-pong, delayed swell, rotary horn, etc, plus the loop sampler, which is its most famous feature. Now let me say this . . . if you are after a loop station first and foremost, don't get this--look into one of Boss's stations; but the fact that a loop sampler is included among a long list of other great functions is a great selling point. I play through an multi-effects unit that includes most of the delay options in this pedal, but I use this primarily since its usability is so great. 

Pedals	No
Switches	3 x Channel 1 x Tap Tempo
Controls	1 x Program Selector Knob 1 x Delay Time Knob 1 x Repeats Knob 1 x TweakKnob 1 x Tweez Knob 1 x Mix Knob
Connectors	2 x 1/4" TS Phone L,R In 2 x 1/4" TS Phone L,R Out 1 x 1/4" TS Phone Expression Pedal In 1 x 1/4" TS Phone Loop Sample In
Effects	16 x Effects 18 x Factory Presets
Display	No
Power Supply	Optional PX-1 Adapter
Dimensions	Length: 10-inches/25.4 cm Width/Depth: 6-inches/15.24 cm Height: 2.5-inches
Weight	3.1 lbs
Additional Controls	Tap Tempo (included), Expression Pedal (optional)
Mono/Stereo	Stereo in, Stereo out (Loop Sampler sums signal to mono)
Chassis Color	Green

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The Line 6 DL4 Delay Modeler, which debuted in 1999, has been a mainstay in my effects lineup since I bought it, which was in 2003. This pedal sounds beautiful.

I'm not going to get too much into what this pedal can do other than say it will satisfy all of your delay needs. All of the 16 delay settings sound super clean and they should since it's pure 24-bit.

Despite high praise of this product, it still retails for the same price: which is $249. I think this price is way too high considering it has been out for almost 10 years. I bought mine for $235.

What is also great about the DL4 is it can be used as a means to setup a two amplifier/stereo setting, which is one of the best things you can do for your sound I think.

When my pedal dies or if it ever does (my fingers are crossed right now), I'm going to be replacing it, because I can't live without it. I have been playing the guitar for 18 years, so I have many years of experience with effects pedals.

I knew this pedal was the one for me when I walked into a Guitar Center with hopes to try it out and see how I liked it. The salesman hooked me up and showed me a few things about it, which I still can't remember, and he finally talked about the looping function and this was my initial introduction to looping. I played a short melodic chord progression and then I overdubbed and stacked more chords on top of this progression and BAM! There it was, the sound I was looking for my entire life!

This experience has been a revelation to me and has sent me on many sonic adventures. If you do not own it, go down to your local guitar store and try it out and experience the sounds that have made the DL4 a classic.  

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Buy Line 6 M9 - Reviews + Price + Cheap Buy

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I think the price is off too, but they don't have much choice. The 4-button stomps are $250.I have the M13 and I just updated the firmware to version 2.0 today. This is a new firmware that was released along with the announcement of the M9 and it includes quite a few new things. The overdrives and distortions are also much smoother now with the new firmware. Sadly, I kind of want to sell my M13 and get the M9. I love the piece of gear, but I'm trying to strip down what I play through. I rarely use more than 3 effects in the M13 at once, so the M9 seems like a good option. I'd also love the ditch my huge pedalboard... fitting the M13, expression pedal, and 3 homemade boxes requires quite a bit of space!"

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 Features:

• 75+ stompbox effects; 3 at once with 3 more at the ready; Full control over the stompbox arrangement; Create up to 6 pedal board "scenes"; scenes back up to your computer via MIDI in/out
• 28-second looper with dedicated footswitches for Record/Overdub, Play/Stop, Play Once, Undo/Redo, Half Speed and Reverse
• Essential ins and outs; 1/4" mono/stereo inputs and outputs (true analog bypass or DSP bypass); Two 1/4" expression pedal jacks; MIDI in and out for "scene" backup and MIDI control system compatibility
• Heavy-duty, all-metal chassis and footswitches were built for on-stage abuse; AC power adapter included
• 75+ stompbox effects; 3 at once with 3 more at the ready; Full control over the stompbox arrangement; Create up to 6 pedal board "scenes"
• Essential ins and outs; 1/4" mono/stereo inputs and outputs (true analog bypass or DSP bypass); Two 1/4" expression pedal jacks
• Two 1/4" expression pedal jacks; MIDI in and out for "scene" backup and MIDI control system compatibility

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Product Description

Line 6 M9 Stompbox Modeler Guitar Multi Effects Pedal

M9 Stompbox Modeler has the stunning stompbox tones, old-school simplicity and necessary portability you need in an all-in-one stompbox solution. Spark your gear lust with over 100 immortal modern and vintage stompbox effects, a 28-second looper and a whole lot more!

Over 100 FX

Tangy choruses, syrupy sweet reverbs, distinctive distortions, and the list goes on: M9 Stompbox Modeler has a comprehensive model list that features effects from best-selling Line 6 pedals. Get all the famous models from the DL4™ Delay Modeler, DM4™ Distortion Modeler, FM4™ Filter Modeler, MM4™ Modulation Modeler, Verbzilla®, Echo Pro™ and others.
Each model was inspired by a legendary stompbox tone and carefully crafted to produce all the tonal colors and nuances made famous by the original.

• 100+ reverbs, distortions, mods, delays and filters
• All the models from the best-selling DL4™ Delay Modeler, Verbzilla® and others
• Each model produces the tonal colors and nuances made famous by the original

3 FX Units in 1

M9 Stompbox Modeler is three FX Units in one. Up to three effects can be used simultaneously, with three more at the ready. With 100% control over effect type and arrangement you are free to arrange them into tried-and-true combinations or create your own original blends.
Different stompbox arrangements, or "scenes," can be created for each of your gigs--one for your metal band, one for your punk band, one for your Top 40 gig...you get the picture. No more tearing up Velcro® just to switch out one or two pedals. Create and save up to 24 scenes. (Scenes can be backed up to your computer via MIDI in/out.)

• Up to three FX at once
• Full control over stompbox arrangement
• Create up to 24 stompbox arrangements, or "scenes"
• Back up scenes via MIDI in/out

Stompbox Simple

M9 Stompbox Modeler is easy to use, just like a classic stompbox. Tweak your tones on the fly using the dedicated knobs. No menus, no saving, no hassles--just turn the knobs and you’re done. And your settings remain when you power down!
The bright LCD shows parameter names/values and the built-in chromatic tuner.

• Bonehead-simple design
• Tweak tones on the fly without menus, saving or hassles
• Built-in chromatic tuner

Built-In Looper

The most fun you'll have without doing something illegal, the 28-second looper delivers extended, in-the-moment looping and unlimited sonic possibilities. Looping has never been easier with dedicated footswitches for all looper controls: Record/Overdub, Play/Stop, Play Once, Undo/Redo, Half Speed and Reverse. (The looper and the FX Units can be used simultaneously.)

• 28-second looper
• Dedicated footswitches for all looper controls
• Looper and FX Units can operate simultaneously

In, Out and Through

M9 Stompbox Modeler is ready for anything with its full arsenal of ins and outs. 1/4" mono/stereo inputs and outputs (with True Analog Bypass or DSP Bypass) let you put M9 Stompbox Modeler before, after or in between your other pedals. Connect a pair of expression pedals to the two 1/4" expression pedal jacks to morph smoothly between tones and control the new Pitch Glide and Wah models. MIDI in/out, which is perfect for backing up your scenes, also makes M9 Stompbox Modeler compatible with many popular MIDI control systems.

• 1/4" mono/stereo inputs and outputs (with True Analog Bypass or DSP Bypass)
• Two 1/4" expression pedal jacks
• MIDI in/out for scene backup and MIDI control system compatibility

Total Stompbox Experience

Built tank-tough with all-metal construction, M9 Stompbox Modeler is designed to survive unavoidable on-stage abuse. From the chassis to the footswitches, it'll withstand constant stomping.
M9 Stompbox Modeler’s treasured stompbox tones, built-in chromatic tuner, 28-second looper and bonehead simplicity will prove totally indispensable (not to mention highly addictive).

• Tough, all-metal construction
• Bonehead simple
• Highly addictive

If you can only buy one pedal, buy this one. I'm almost afraid to let my musician friends know I have for fear of theft! Gear I play with: Jackson DK2 w/ Cool Rails (n), Vintage Rails (m), and stock humbucker (b); Fender 212r Amp. I've been playing for about twelve years off an on. Alt. Rock, Metal, Jazz, Oldies, whatever...

True bypass really is true bypass, but honestly I can't tell a difference between that and the DSP. Display is big and bright... easy to see the accurate tuner even in dim light.

I've heard some complaints about the distortion, but I think the various tones sound great, especially with a well balanced amp or an equalizer set to your choice to get the mids just right. Delays, Looper, Verbs, etc. are all outstanding. I particularly like running the Heavy Distortion w/ a Digital Delay and an Analog Tri-Chorus. Vetta Juice also sounds fantastic with the '63 Spring verb. Very solid construction and the jacks really click firmly when you put your cables in. My only complaint is they aren't cheap enough to buy for all my friends! Seriously, I cannot rant or rave about this enough... so freaking great!

Buy Line 6 M9 Stompbox Modeler Guitar Multi Effects Pedal NOW!

i am playing with it since a couple of weeks now, and i am enjoying it really a lot.
the sound quality is great, and programming it is very intuitive.
it has only one tiny drawback: the pedalboard is small, so the buttons are too close to each other.
anyway, i can't imagine anything better for this price!



Watch the Amazon Review - http://www.amazon.com/gp/mpd/permalink/m7EPIS7SNBRKH

Buy Line 6 M9 Stompbox Modeler Guitar Multi Effects Pedal NOW!

Modern and classic stompbox models in a powerful and portable package.

The Line 6 M9 Stompbox Modeler has enough stunning guitar pedal sounds to spark the gear lust in every guitarist—Swirling phasers, tangy choruses, syrupy sweet reverbs, and more. The comprehensive list of available M9 models features all the effects from best-selling Line 6 pedals. Access all the famous sounds from DL4 Delay Modeler, DM4 Distortion Modeler, FM4 Filter Modeler, MM4 Modulation Modeler, Verbzilla, Echo Pro, and more.

M9 Stompbox Modeler is set up like three FX units. Each effects unit can have two stomps at the ready, and any three effects can play simultaneously. Use one effect at a time, arrange effects in tried-and-true combinations, or create your own original blends.

Use the Line 6 M9 Stompbox Modeler to create 6 different stompbox arrangements, or pedalboard "scenes"—one for your metal band, one for your punk band, one for your Top 40 gig—you get the picture. No more tearing up Velcro just to switch out one or two pedals. Plus, the Line 6 M9 pedal features MIDI in/out, for you to back up your scenes to your computer or control the unit with a MIDI controller.

Inspired by the simplicity of classic stompboxes, the Line 6 M9 guitar effects pedal is incredibly easy to use. Tweak your tones on the fly using the dedicated knobs and easy-to-read LCD window. Just turn the knobs and you're done—no menus, no saving, no hassles—and your tweaks remain, even after you power down.

Complete with a full-featured, 28-second looper, Line 6 M9 Stompbox Modeler allows for extended in-the-moment looping. It has all the necessary looper controls with dedicated footswitches to make looping easy: Record, Record/Overdub, Play/Stop, Play Once, Undo/Redo, Half Speed and Reverse (The looper can be used simultaneously with the three FX Units.).

The Line 6 M9 multi effect pedal features plenty of ins and outs. 1/4" mono/stereo inputs and outputs (with True Analog Bypass or DSP Bypass) let you put M9 Stompbox Modeler before, after, or between your other pedals. Connect expression pedals to the two 1/4" expression pedal jacks to morph smoothly between tones. MIDI in/out, which is perfect for backing up your "scenes", also makes the Line 6 effects pedal compatible with many popular MIDI control systems.

The Line 6 M9 guitar pedal is built tank-tough with all-metal construction. From the chassis to the footswitches, M9 withstands constant stomping. Together with its built-in chromatic tuner, the Line 6 M9 Stompbox Modeler's generations of sonic treasures and brain-dead-simple design will prove indispensable—not to mention highly addictive.

Check the Line 6 website for software updates that increase the power of your M9 Stompbox Modeler

Line 6 M9 Stombox Modeler Guitar Multi Effects Pedal Features:

• 100+ stompbox effects, three simultaneous with three more at the ready
• Create up to 24 pedal board scenes; Scenes back up to your computer via MIDI in/out
• 28-second looper with dedicated footswitches
• Universal Tap Tempo syncs all time-based FX
• MIDI control system compatibility
• True analog bypass or DSP bypass
• Built-in chromatic tuner
• Plenty of ins and outs; 1/4" mono/stereo inputs and outputs; Two 1/4" expression pedal jacks; MIDI in and out
• Heavy-duty metal chassis and footswitches

Line 6 M9 Stombox Modeler Guitar Multi Effects Pedal Includes:

• AC power adapter

Choose from over 100 effects in this all-encompassing multi-effects pedal.

Line Six Amps (Line 6 Amplifiers) - Review of 15 Line 6 Spider Amps

Line 6 Spider Amplifiers - Reviews of Amplifiers by Line 6

Amplifiers by Line 6

Line 6 is pretty cool isn't it? The best amps in the industry, in my opinion.

Line 6 produces a number of guitar amplifiers (combos and heads), all featuring amplifier modeling software.

The Spider III sold over 92,000 units in 2008, the 15-watt Spider III amp was the best-selling guitar amplifier in America.

Here are amps by Line 6 - along with some specs and reviews.

1. Line 6 Spider IV 15

Buy Line 6 Spider IV 15 15-watt 1x8 Modeling Guitar Amplifier NOW at the Cheapest Price - Click Here!

Spider IV 15 delivers a perfectly distilled collection of celebrated American and British amp tones.


The Line 6 Spider IV 15 boasts a diverse range of sounds including sparkling clean tones, warm jazz tones, syrupy drive tones, high-gain distortions, and more based on immortal vintage beauties and modern monsters. 6 stunning effects (2 simultaneously), including lush reverb, expressive tremolo, tangy chorus/flange, and more add color and depth to your sound. Built-in tuner, headphone out, CD/MP3 input, and 4 user-created presets for instant recall of tones. 8" custom speaker and 3/4-closed-back cabinet provide a tight, punchy response.


Features: The amp was made in 2009. The amp sounds great at clean and crunch and it also has two other modes based on Mesa/Boogie® Dual Rectifier® sound they are "Metal" and "Insane". Clean sounds simply awesome, Crunch is great, perfect for playing AC/DC, it's so great because it based on 68 Marshall® Plexi 100. Metal is based on Mesa/Boogie® Dual Rectifier® and it sounds great for Metal solos and most heavy songs like Metallica greatest Master of Puppets etc. Insane sounds like the heaviest sh** there is on earth it's based on Mesa/Boogie® Dual Rectifier® ( RED CHANNEL )This skull crushing sound is great for tapping solos like "One" solo. But apart from that it's just a hell load of distortion good for absolute bone crushing sound and fun to play with a tremolo bar, make some wild noises. Effects are good not great but they aren't bad for 100 amp. You can choose between "Chorus Flange", "Phaser" and "Tremolo" plus to this you can add the following echo effects; "Sweep Echo", "Tape Echo" and "Reverb". From those effects I mostly use Reverb but sometimes I like to play with the tremolo effects for songs like Boulevard of Broken Dreams (Green Day). So basically it has 4 Channels 3 + 3 different effects and a Drive, Bass, Mid, Treble, Channel Vol. And a Master knob. It also comes with an FBV Pedal, CD/MP3, Phones / Record outputs. 

This amp was made in 2009, it's solid state, 15watts and it has a 8 inch line6 custom design speaker. On the front pannel it has four channel. Clean, crunch, metal and insane, with seven knobs for each one: drive, the EQ (bass, mids, treble), a channel volume, two effect knobs and a master volume knob. The effects are separated as it follows: the first one has chorus flange, phaser and tremolo and the second has sweep echo, tape echo and reverb. You've got your guitar input, a headphones jack, an auxiliary input and a fbv pedal input. This amp can suit allmost all music genres, for home practicing (I use it for that so it's allright). For me it's fine, because I play mostly metal and hard rock, with bits of blues and Dire Straits, so I find myself using allmost everything, specially the clean and metal channels. I wished it had a channel switching pedal but for the price this amp has got many things. It also has some good features, like saving your own presets, a noise gate and a boost for the distortion, to have even more if you like it. At first it looks very good, but it's not.  
 
Buy Line 6 Spider IV 15 15-watt 1x8 Modeling Guitar Amplifier NOW at the Cheapest Price - Click Here!

Sound: All four channels are doing a great job providing me with any sound I want. I use with two double and one single coil, pickups. It's a great amp for an experienced jazz or blues guitarist and also for a small rocker who likes to play heavy, for me it's perfect. It can makes sounds from smooth clean calm sound to absolute skull crushing sound simply Insane. Distortion sounds good on all channels and it could be quiet and it could be really loud.

I'm currently using an Ibanez rg350dx, white with a white pickguard (beautiful) with no pedals at the moment. Like I said I play metal mostly, but this amp doesn't have a good distortion for it. The metal channel sounds aceptable, but muddy at high distortion levels and the insane it's unplayable because you can't hear the notes you played with distortion at ten o'clock only. Plus it's really noisy. The crunch channel it's not bad but it could improve a lot at low distortion levels because I wanted a classic rock sound but it can't do it. The clean channel, on the other hand, it's really good, because it sounds defined, and at high volumes it distorts only a little bit. This is the best thing about the amp probably. The effects are good also, especially the chorus flange, but the phaser and the tape echo are also of my liking. The reverb, the sweep echo, and the tremolo are just pasable, because they don't have the sound I'm looking for. It's a pity Line 6 doesn't make good amps.
 
Reliability & Durability: I trust this amp very much and advise you to get one is well. Since I got it I haven't got any problems with it. It looks great and well build although it's build in China it's very good quality. I am sure I would use this amp as a backup but not 15V, at least 75V. Really good quality for the price.

I've owned it for three months and at the moment it has only given my one problem. While I was testing it at high volumes it started doing strange noise, specially on the metal channel, but it doesn't bother me, as I use it for my bedroom. Other than that it's perfect and looks sturdy, which is good, as I will sell it soon. Obviously you can't use it to gig as it's 15 watts.

FAQ - How to get blues sound out of it?
Answer: Try the crunch channel and don´t use to much gain and it should get you somewhere.
I used to have a Spider 3 15 watt but i never liked it, even as a practise amp.
If you´re serious about playing blues save up money for a tube amp.
Also if you learn how to use the controlls on your guitar and some right hand technique you can play with a clean sound on the "insane" channel. The Insane channel is crazy. Nice for palm muted runs.

Buy Line 6 Spider IV 15 15-watt 1x8 Modeling Guitar Amplifier NOW at the Cheapest Price - Click Here!

2. Line 6 Spider IV 30 

 

This amp is a brand new 2009 model. It has 4 channels, and a built in tuner as well as several different distortion settings and effects.

Buy Line 6 Spider IV 30 30-watt 1x12 Modeling Guitar Amplifier NOW!

"Perfect for beginners to use at home, but struggles at high volume to make any discernable sound, just sounds like mush on high volume distortion."

I like the Line 6 stuff, I like the versatility, as I'm primarily a guy who plays at home having an amp that deal with my general musical schizophrenia just by using the little pedal board my Fiancee bought me is pretty nice. I Jam with some guys from work, and the musical styling is all over the map so having something that can do cake, the cure, the darkness and tom petty without buying a mess of stomp boxes or costing me a couple of grand is a pretty sweet idea.

The amp is pretty versatile (even though not every sound you get out of it is enjoyable). It has 12 different sounds and 4 progamable user preset channels. No effects loop. It does have a headphone jack. Its got a whole bunch of on board of efects. Chorus flange, phaser, tremolo, delay, sweep echo, tape echo, and good ol' reverp. All of which sound terrible. I used it for practice and to try to play over a drummer once. It didn't have enough power to get over a drummer and still sound good. It is solid state.

The amp rarely lets me down or prevents me from finding the setting I want, and while I'm not normally cranking it at 10, there's never a noise issue, unless I'm at practice and the terrible microphones are causing feedback.

Buy Line 6 Spider IV 30 30-watt 1x12 Modeling Guitar Amplifier NOW!

I've had my Line 6 for almost a year now, and its gonna be hard to write an unbiased review, but I'll give it a try. The Line 6 Spider IV 30 is a versatile, powerful, and durable amp. It comes with 6 different settings ranging from clean to insane. All settings have 2 separate tones and all of them can be tweaked to your desire. You also get 4 channels you can save your tones in and can be accessed by simply hitting the button or using the petal. You also get a few effects along with it, you get a flanger/ chorus, a phaser, and a tremolo effect. You also get a digital delay, a tape echo, and a sweep echo. This amp comes with loads of features that cater to every guitarist. 

Reliability & Durability: This amp can and will get you through what ever you throw at it and has never broken down on me or messed up in anyway, but thats also cause I take care of it like its a newborn child, and regularly inspect it and make sure everything is in working order.

Buy Line 6 Spider IV 30 30-watt 1x12 Modeling Guitar Amplifier NOW! 

3.   Line 6 Spider IV 75

Buy Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier NOW Cheap! 

Features:

• 75 watts; 1x12" Celestion® Custom speaker; three-quarter closed-back cabinet for a tight, snappy response
• 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil, As I Lay Dying, Steve Stevens, The Donnas, Minus the Bear, Pete Anderson, more; 200+ dialed in song-based presets
• 16 tonally superior amp models with the vintage characteristics and nuances; 20 Smart FX (4 at once) with deep editing; Quick Loop, Auto-Wah, Intelligent Pitch-Shifter plus inspiring echoes, mods, delays, reverbs and more; 64 user-created presets
• Bass, Mid and Treble knobs that behave like the EQ controls from each modeled amp; Drive knob; Channel volume; Master volume
• 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; built-in chromatic tuner; FBV foot controller jack
• 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil,
• 16 tonally superior amp models with the vintage characteristics and nuances; 20 Smart FX (4 at once) with deep editing; Quick Loop

Spider IV 75 guitar amplifier from amp-modeling pioneers Line 6 delivers best-selling rock star tones. Feast your ears on industry-leading Line 6 amp and FX modeling, dialed-in tones and presets, and much more.

Buy Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier NOW Cheap!

75-watt mono power 12" Custom Celestion Speaker 16 amp models 20 Smart FX settings 300+ artist-created presets Almost 200 song-based presets 64 User-programmable presets 4 channels Built-in front-panel chromatic tuner Compatible foot controllers: FBV2, FBV Express MkII, FBV Shortboard MkII 14 seconds of sound-on-sound looping Manual mode

Advanced Line 6 Amp Modeling
A blizzard of artists, producers, engineers, and sound designers spent countless hours creating, comparing, and tuning every last amp model for the Spider IV 75. The result is 16 exceptional models (four of which are world-premiering with Spider IV) that exhibit sophisticated touch response, complex distortions, and compression that breathes like it's emanating from a vintage tube amp.
Each model delivers the distinct tonal nuances of a celebrated American, British or European guitar amp, and an exceptional guitar playing experience that you won't soon forget.

Spider IV 30 features 12 amp models: Red and Green versions from clean jazz tones to the bone-crushing Insane.

Passionate about presets? Spider IV has them in spades. Beside the 300+ presets hand-crafted by 50 rock stars, and beside the almost 200 presets inspired by the best guitar songs of all time, you can also custom-make your own presets. Create, save, and store up to 64 user presets. If you're a Spider III user, get ready to hear your favorite Spider III presets remastered and supercharged for Spider IV.
Wise up to Smart FX
Smart FX knobs put award-winning Line 6 effects at your fingertips. Easy to use, Smart FX let you spend less time tweaking and more time playing. Easily add or remove any amount of lush reverbs, exceptional echoes, tangy mods, and more. Make all your adjustments on the fly--the knobs are right in front you of you. Up to 4 Smart FX can be used simultaneously.
Smart FX effects include: Red Comp, Fuzz Pi, Auto Wah, Auto Swell, Pitch Glide, Smart Harmony, Sine Chorus, Line 6 Flanger, Phaser, U-Vibe, Opto Trem, Bias Trem, Digital Delay, Analog w/ Mod, Tape Echo, Multi-Head Echo, Sweep Echo, Reverse, Lux Spring Reverb, Vintage Plate Reverb, plus additional system effects like Quick Loop, Adjustable Noise Gate, Adjustable Boost, and Volume Routing.

Smart FX knobs put award-winning Line 6 effects at your fingertips.

Every effect is fully adjustable up to 7 parameters deep, including routing pre- and post-amplifier.

Deep dive into your effects like never before! Every effect is fully adjustable up to 7 parameters deep, including routing pre- and post-amplifier. Sculpt your delays, mods, reverbs, pitch effects, and more with unparalleled control.
Line 6's first intelligent pitch shifter, Smart Harmony is fast-tracking and easy to use. Harmonize using major, minor, pentatonic, whole tone, and other types of scales. (Don't worry, you don't need to know music theory to use Smart Harmony). And then there's Pitch Glide, which is most effective when used with an FBV MkII foot controller. Use the foot pedal to smoothly shift your tone up or down to any interval within a four-octave range. Calibrate the effect to semitones, or to 10-cent increments to create cool chorus/detuning effects.
The Spider IV 75 also features Quick Loop, a 14-second sound-on-sound looper that's ideal for writing songs, practicing solos, jamming, and even dialing in your tone! Easy to use, Quick Loop's controls are all on the front panel. Connect an FBV MkII foot controller for hands-free control of the looper functions.
Get simultaneous FX. Use up to 8 effects at the same time! Pour on the colors and textures with all 4 Smart FX, set the Boost and the Noise Gate, activate Quick Loop, and connect an FBV MkII foot controller to kick on the volume/wah pedal. How many other amplifiers can deliver that?
Dialed-In Rock Star Tones and Presets
Who do you want to sound like today? Discover the tones of your heroes in Spider IV amplifiers. 50 famous guitarists and bands, including Coheed & Cambria, Johnny Marr, Slipknot, and others, hand-crafted more than 300 of their signature tones, and turned them into Spider IV presets--from sparkling cleans to effect-laden tones to saturated high-gain heaven.
Plus, get one-touch access to almost 200 tones based on the best guitar songs of all time. From the switchblade-swinging slapback of the 1950s to the high-gain distortion of the 2000s, get the tones from Master of Puppets, Back in Black, Whole Lotta Love, Daytripper, Toxicity, Purple Haze, Head Like a Hole, Smells Like Teen Spirit, Crazy Train, and more.
You'll always sound your best with the built-in chromatic tuner. No need for an external tuner or additional guitar cables, this invaluable tool is integrated into the amps front panel. Simply activate the tuner with the push of a button. Plus, a 12" Celestion custom speaker helps clean tones sparkle and sing, creamy overdrives respond to the intricacies of your picking, and searing brutal tones launch themselves from the cabinet.
Manual mode draws a more traditional amplifier experience out of Spider IV. When Manual mode is activated, all front-panel knobs work independently of one another. (Out of Manual mode, choosing an amp model may adjust the settings of the other front-panel knobs.)
To get the whole story of Spider IV amplifiers, you need to turn one around. All Spider IV combo amps feature a perfectly tuned three-quarter closed-back cabinet. This provides a tight, punchy, focused response that you can't get from an open-back cabinet. And a large, two-line LCD is your window into Spider IV. This is where you can deep dive into effects and adjust their parameters, scroll over 500 presets, see the tuner interface, name your user-created presets, get a visual representation of where your Smart FX knobs are set, and more.

Product Description

An incredible amount of care, passion and attention to detail went into recreating the authentic characteristics and tonal nuances made famous by the modeled amplifiers. Experience exceptional depth and sophisticated touch response. 

Buy Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier NOW Cheap!

I started two years ago with a 15 watt Spider III, then along with other amps, bought a Spider Jam. I thought they were all great. Now they come out with Spider IV, and the difference in the sound is dramatic. They are getting very, very close to tube sound. So much so that for the lousy $299, compared to say $1000+ for 75 watts of tube, this is a real steal.
Loaded with features, and hundreds of presets, it has something for everyone. The Pitch Shifter and 18 available manual settings just add to the fun. And it will work with either generation of FBV pedalboard. Says so right in the manual. The only difference I see is with the generation II pedal you get a USB port.
Does it sound as creamy and smooth as my Peavey Delta Blues or Crate Palomino tube units? No, there is still a little digital overlay around in there. But most people who are looking for a great home based amp, or maybe a church or small gig amp, this is a WINNER and the price is just nuts. Forget the Peavy Vyper, this is hands down much better and you don't have to sink another couple hundred in a pedal to get to all the presets like the Vyper.

I've owned several Line 6 products and this is probably the best yet. The tones from this amp are quite impressive, in particular the clean tones are amazing. I've used and owned several vintage and modern tube amps and I have to say this amp is one of the best I've played. Make no mistake, it's not a Mesa or Bogner but for the money this is an amazing amp. The range of tones and effects that you get with this make it a no brainer for anyone who plays a variety of music. It will get as loud as you need it to so gigging with this amp is no problem.

Buy Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier NOW Cheap!

4.  Line 6 Spider IV120

 Buy Line 6 Spider IV 120 120-watt 2x10 Modeling Guitar Amplifier NOW Cheap!

Features:

• 120 watts; 2x10" Celestion® Custom speakers; three-quarter closed-back cabinet for a tight, snappy response
• 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil, As I Lay Dying, Steve Stevens, The Donnas, Minus the Bear, Pete Anderson, more; 200+ dialed in song-based presets
• 16 tonally superior amp models with the vintage characteristics and nuances; 20 Smart FX (4 at once) with deep editing; Quick Loop, Auto-Wah, Intelligent Pitch-Shifter plus inspiring echoes, mods, delays, reverbs and more; 64 user-created presets
• Bass, Mid and Treble knobs that behave like the EQ controls from each modeled amp; Drive knob; Channel volume; Master volume
• 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; built-in chromatic tuner; FBV foot controller jack

• Product Dimensions: 11 x 24 x 18.5 inches ; 49 pounds
• Shipping Weight: 58 pounds 
• Shipping: This item is also available for shipping to select countries outside the U.S.
• Shipping Advisory: This item must be shipped separately from other items in your order. Additional shipping charges will not apply.
• ASIN: B002GYWBJG
• Item model number: Spider IV 120

Spider IV 120 guitar amplifier from amp-modeling pioneers Line 6 delivers best-selling rock star tones. Feast your ears on industry-leading Line 6 amp and FX modeling, dialed-in tones and presets, and much more.

120-Watt Stereo Two 10" custom Celestion speakers 16 amp models 20 Smart FX settings 300+ artist-created presets Almost 200 song-based presets 64 User-programmable presets 4 channels Built-in front-panel chromatic tuner Compatible foot controllers: FBV2, FBV Express MkII, FBV Shortboard MkII 14 seconds of sound-on-sound looping Manual mode

Advanced Line 6 Amp Modeling
A blizzard of artists, producers, engineers, and sound designers spent countless hours creating, comparing, and tuning every last amp model for the Spider IV 120. The result is 16 exceptional models (four of which are world-premiering with Spider IV) that exhibit sophisticated touch response, complex distortions, and compression that breathes like it's emanating from a vintage tube amp.
Each model delivers the distinct tonal nuances of a celebrated American, British or European guitar amp, and an exceptional guitar playing experience that you won't soon forget.

Spider IV 120 features 12 amp models: Red and Green versions from clean jazz tones to the bone-crushing Insane.

Passionate about presets? Spider IV has them in spades. Beside the 300+ presets hand-crafted by 50 rock stars, and beside the almost 200 presets inspired by the best guitar songs of all time, you can also custom-make your own presets. Create, save, and store up to 64 user presets. If you're a Spider III user, get ready to hear your favorite Spider III presets remastered and supercharged for Spider IV.
Wise up to Smart FX
Smart FX knobs put award-winning Line 6 effects at your fingertips. Easy to use, Smart FX let you spend less time tweaking and more time playing. Easily add or remove any amount of lush reverbs, exceptional echoes, tangy mods, and more. Make all your adjustments on the fly--the knobs are right in front you of you. Up to 4 Smart FX can be used simultaneously.
Smart FX effects include: Red Comp, Fuzz Pi, Auto Wah, Auto Swell, Pitch Glide, Smart Harmony, Sine Chorus, Line 6 Flanger, Phaser, U-Vibe, Opto Trem, Bias Trem, Digital Delay, Analog w/ Mod, Tape Echo, Multi-Head Echo, Sweep Echo, Reverse, Lux Spring Reverb, Vintage Plate Reverb, plus additional system effects like Quick Loop, Adjustable Noise Gate, Adjustable Boost, and Volume Routing.

Smart FX knobs put award-winning Line 6 effects at your fingertips.

Every effect is fully adjustable up to 7 parameters deep, including routing pre- and post-amplifier.

Deep dive into your effects like never before! Every effect is fully adjustable up to 7 parameters deep, including routing pre- and post-amplifier. Sculpt your delays, mods, reverbs, pitch effects, and more with unparalleled control.
Line 6's first intelligent pitch shifter, Smart Harmony is fast-tracking and easy to use. Harmonize using major, minor, pentatonic, whole tone, and other types of scales. (Don't worry, you don't need to know music theory to use Smart Harmony). And then there's Pitch Glide, which is most effective when used with an FBV MkII foot controller. Use the foot pedal to smoothly shift your tone up or down to any interval within a four-octave range. Calibrate the effect to semitones, or to 10-cent increments to create cool chorus/detuning effects.
The Spider IV 120 also features Quick Loop, a 14-second sound-on-sound looper that's ideal for writing songs, practicing solos, jamming, and even dialing in your tone! Easy to use, Quick Loop's controls are all on the front panel. Connect an FBV MkII foot controller for hands-free control of the looper functions.
Get simultaneous FX. Use up to 8 effects at the same time! Pour on the colors and textures with all 4 Smart FX, set the Boost and the Noise Gate, activate Quick Loop, and connect an FBV MkII foot controller to kick on the volume/wah pedal. How many other amplifiers can deliver that?
Dialed-In Rock Star Tones and Presets
Who do you want to sound like today? Discover the tones of your heroes in Spider IV amplifiers. 50 famous guitarists and bands, including Coheed & Cambria, Johnny Marr, Slipknot, and others, hand-crafted more than 300 of their signature tones, and turned them into Spider IV presets--from sparkling cleans to effect-laden tones to saturated high-gain heaven.
Plus, get one-touch access to almost 200 tones based on the best guitar songs of all time. From the switchblade-swinging slapback of the 1950s to the high-gain distortion of the 2000s, get the tones from Master of Puppets, Back in Black, Whole Lotta Love, Daytripper, Toxicity, Purple Haze, Head Like a Hole, Smells Like Teen Spirit, Crazy Train, and more.
You'll always sound your best with the built-in chromatic tuner. No need for an external tuner or additional guitar cables, this invaluable tool is integrated into the amps front panel. Simply activate the tuner with the push of a button. Plus, two 10" Celestion custom speakers help clean tones sparkle and sing, creamy overdrives respond to the intricacies of your picking, and searing brutal tones launch themselves from the cabinet.
Manual mode draws a more traditional amplifier experience out of Spider IV. When Manual mode is activated, all front-panel knobs work independently of one another. (Out of Manual mode, choosing an amp model may adjust the settings of the other front-panel knobs.)
To get the whole story of Spider IV amplifiers, you need to turn one around. All Spider IV combo amps feature a perfectly tuned three-quarter closed-back cabinet. This provides a tight, punchy, focused response that you can't get from an open-back cabinet. And a large, two-line LCD is your window into Spider IV. This is where you can deep dive into effects and adjust their parameters, scroll over 500 presets, see the tuner interface, name your user-created presets, get a visual representation of where your Smart FX knobs are set, and more.

Buy Line 6 Spider IV 120 120-watt 2x10 Modeling Guitar Amplifier NOW Cheap!

Product Description

An incredible amount of care, passion and attention to detail went into recreating the authentic characteristics and tonal nuances made famous by the modeled amplifiers. Experience exceptional depth and sophisticated touch response.

I cannot begin to say what a pleasure this amp is to play. The clean sound is what I play primarily and thus, the 4 star rating. It sounds great clean yet the fiddling around with the menu to get presets that are suitable for jazz and the like take time. No big deal with time issues if you're one well versed with digital menus. For dudes like me (perhaps many) this is a fine piece of workmanship with the built in tuner and all, but I just want to turn on the tube sounding warmth of an old TWIN or VOX and play mellow. Again, if one is inclined, mellow sounds will come out of this superlative amp and I am only thinking of selling mine because I just need less power and less menu stuff.

Like amateur radio, many of the new gear out is menu driven versus simplicity. I am hardly one who does not like to tinker, but when tinkering is all one is doing an playing your instrument takes second seat, there is a slight problem. So, this is based on my ineptitude rather than the amplifier's capabilities and build.

A four out of five is very good given my admission to menu driven gear as a weakness on my part.

You'll love it if you love reading manuals or have much time to tinker. Overall, the amp is superb. PERIOD.

Wowwww it's the only thing I can say, affordable, powerfull ( wattage ), bareable to any place and of course it's versatility it's impressive.......Don't let other comments discourage you, I've been playing guitar over 16 years and the amp talks for itself........the one people that says is not good it's because they can't play.

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5. Line 6 Spider Jam Amplifier

 Buy Line 6 Spider Jam Guitar Amplifier NOW Cheap!

Spider Jam is the ideal partner for any level of guitarist who wants to perfect their skills. With its revolutionary Endless Jam engine and onboard multitrack loop recorder, Spider Jam is always ready to back you with over 100 built-in grooves laid down by top L.A. and Nashville session aces. From country to funk - blues to punk – these authentic backing tracks are the perfect accompaniment and inspiration for practicing, composing or simply having fun playing guitar. When it’s time to take your technique from the woodshed to the stage, Spider Jam is also ready for the call. Backed by a powerful 75-watt power section and a 12" Custom Celestion speaker, the loud-and-proud Spider Jam is more than able to hold its own in a full band setting.
And like other amps in the Spider III family, Spider Jam features hundreds of rock star-approved presets, 12 distinct amp models, Smart Control effects and a built-in tuner. Packed with insane rock star sounds, Spider Jam is the perfect combination of practice tool and gigging amp.
Features:

• 100 + Endless Jams created by pro rhythm sections
• Looping recorder with 14 minutes of capture capacity
• Guitar and Aux instrument inputs
• Microphone input with trim control and dedicated effects
• 12 distinct amp and cabinet models
• 7 Smart Control FX models including Tape Echo, Multi-Tap, Sweep Echo, Flanger/Chorus, Phaser, Tremolo and Reverb
• 250 artist-created tones
• 36 programmable presets
• 75-watt power section
• 12" Custom Celestion® speaker
• 2" tweeter for full range audio on jam tracks
• On-board tuner
• CD/MP3 Input jack
• Stereo 1/4" and headphone jack outputs

Product Description

The Line 6 Spider Jam is the ideal tool for any level of artist who wants to perfect their jammin' skills. Over 100 Endless Jams using real audio tracks from real-life LA session players, making the experience like playing alongside a pro band, not just cheesy MIDI files. A built-in multi-track Looping Recorder stores up to 14 minutes of sound, and the Mic/aux inputs adds the extra bonus of throwing keyboards, bass or vocals into the mix. Spider Jam, like other amps in the Spider III family, features hundreds of rock star-approved presets, 12 distinct amp models, Smart Control effects, along with a built-in tuner. Packed with Insane rock star sounds, Spider Jam is the perfect combination of practice tool and gigging amp. Line 6 Spider Jam Features 250 artist-created tones 100 + Endless Jams with a pro rhythm section Looping recorder stores up 14 minutes of music 12 distinct amp and cabinet models 7 Smart Control FX models including: Tape Echo, Multi-Tap, Sweep Echo, Flanger/Chorus, Phaser, Tremolo and Reverb 36 Programmable presets 75-watt power section 12-inch Custom Celestion speaker and 2-inch tweeter. On-board tuner CD/MP3 Input jack Stereo 1/4-inch Outs and headphone jack.

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Wow! As an owner of the Fender G-dec, the Line 6 spider jam was the next evolution. I had been waiting for the ship date of the spider jam for some time and I was not disappointed! The backing tracks sound great, the artist created presets are awesome, and the drum tracks sound very professional! The features of this amp are great and most of all fun. Line 6 has a reputation for absolutely awesome sounding guitar amps and the spider jam is no exception. The hours really fly by when you're having fun and I really have given my guitars lots of playing time but is that not the point? Line 6 has really outdone itself and I cant say enough about the Spider Jam! Try one, you won't be sorry!!!


This amp is the greatest guitar practice amp of all time. It has dozens of back-up bands in different styles you can jam over. You can switch the tempo and key on these songs. What a great way to practice improvising with different styles/keys/scales. You can also record other songs into it and record and loop your own playing. It has all the amp models and effects in Line 6's other amps.

Have other musicians ever flaked out on a practice? Have you ever wanted to take a jam session in a slightly different direction than it ended up going?
Drums, bass, and rhythm guitar are packed into this amp that has enough tone settings and power to keep any musician busy for hours on end. With a simple interface, some great amp models, a ton of great tone presets, various input options, and freedom to be as creative as you want, this truly is a revolutionary product. I can't imagine where I would be now if I had one of these when I started playing guitar. I have only used it for a short time and I can already see the endless possibilities of this little beauty.


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 6. Line 6 Spider IV 150

Buy Line 6 Spider IV 150 150-watt 2x12 Modeling Guitar Amplifier NOW Cheap!

Features:

• 150 watts; 2x12" Celestion® Custom speakers; three-quarter closed-back cabinet for a tight, snappy response
• 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil, As I Lay Dying, Steve Stevens, The Donnas, Minus the Bear, Pete Anderson, more; 200+ dialed in song-based presets
• 16 tonally superior amp models with the vintage characteristics and nuances; 20 Smart FX (4 at once) with deep editing; Quick Loop, Auto-Wah, Intelligent Pitch-Shifter plus inspiring echoes, mods, delays, reverbs and more; 64 user-created presets
• Bass, Mid and Treble knobs that behave like the EQ controls from each modeled amp; Drive knob; Channel volume; Master volume
• 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; built-in chromatic tuner; FBV foot controller jack
• 150 watts, 2x12" Celestion Custom speakers, three-quarter closed-back cabinet for a tight, snappy response
• 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah
• 16 tonally superior amp models with the vintage characteristics and nuances
• Bass, Mid and Treble knobs that behave like the EQ controls from each modeled amp
• 1/4-inch input, 1/4-inch headphone/direct output

Spider IV 150 guitar amplifier from amp-modeling pioneers Line 6 delivers best-selling rock star tones. Feast your ears on industry-leading Line 6 amp and FX modeling, dialed-in tones and presets, and much more.

150-Watt Stereo Two 12" custom Celestion speakers 16 amp models 20 Smart FX settings 300+ artist-created presets Almost 200 song-based presets 64 User-programmable presets 4 channels Built-in front-panel chromatic tuner Compatible foot controllers: FBV2, FBV Express MkII, FBV Shortboard MkII 14 seconds of sound-on-sound looping Manual mode

Advanced Line 6 Amp Modeling
A blizzard of artists, producers, engineers, and sound designers spent countless hours creating, comparing, and tuning every last amp model for the Spider IV 150. The result is 16 exceptional models (four of which are world-premiering with Spider IV) that exhibit sophisticated touch response, complex distortions, and compression that breathes like it's emanating from a vintage tube amp.
Each model delivers the distinct tonal nuances of a celebrated American, British or European guitar amp, and an exceptional guitar playing experience that you won't soon forget.

Spider IV 150 features 12 amp models: Red and Green versions from clean jazz tones to the bone-crushing Insane.

Passionate about presets? Spider IV has them in spades. Beside the 300+ presets hand-crafted by 50 rock stars, and beside the almost 200 presets inspired by the best guitar songs of all time, you can also custom-make your own presets. Create, save, and store up to 64 user presets. If you're a Spider III user, get ready to hear your favorite Spider III presets remastered and supercharged for Spider IV.
Wise up to Smart FX
Smart FX knobs put award-winning Line 6 effects at your fingertips. Easy to use, Smart FX let you spend less time tweaking and more time playing. Easily add or remove any amount of lush reverbs, exceptional echoes, tangy mods, and more. Make all your adjustments on the fly--the knobs are right in front you of you. Up to 4 Smart FX can be used simultaneously.
Smart FX effects include: Red Comp, Fuzz Pi, Auto Wah, Auto Swell, Pitch Glide, Smart Harmony, Sine Chorus, Line 6 Flanger, Phaser, U-Vibe, Opto Trem, Bias Trem, Digital Delay, Analog w/ Mod, Tape Echo, Multi-Head Echo, Sweep Echo, Reverse, Lux Spring Reverb, Vintage Plate Reverb, plus additional system effects like Quick Loop, Adjustable Noise Gate, Adjustable Boost, and Volume Routing.

Smart FX knobs put award-winning Line 6 effects at your fingertips.

Every effect is fully adjustable up to 7 parameters deep, including routing pre- and post-amplifier.

Deep dive into your effects like never before! Every effect is fully adjustable up to 7 parameters deep, including routing pre- and post-amplifier. Sculpt your delays, mods, reverbs, pitch effects, and more with unparalleled control.
Line 6's first intelligent pitch shifter, Smart Harmony is fast-tracking and easy to use. Harmonize using major, minor, pentatonic, whole tone, and other types of scales. (Don't worry, you don't need to know music theory to use Smart Harmony). And then there's Pitch Glide, which is most effective when used with an FBV MkII foot controller. Use the foot pedal to smoothly shift your tone up or down to any interval within a four-octave range. Calibrate the effect to semitones, or to 10-cent increments to create cool chorus/detuning effects.
The Spider IV 120 also features Quick Loop, a 14-second sound-on-sound looper that's ideal for writing songs, practicing solos, jamming, and even dialing in your tone! Easy to use, Quick Loops controls are all on the front panel. Connect an FBV MkII foot controller for hands-free control of the looper functions.
Get simultaneous FX. Use up to 8 effects at the same time! Pour on the colors and textures with all 4 Smart FX, set the Boost and the Noise Gate, activate Quick Loop, and connect an FBV MkII foot controller to kick on the volume/wah pedal. How many other amplifiers can deliver that?
Dialed-In Rock Star Tones and Presets
Who do you want to sound like today? Discover the tones of your heroes in Spider IV amplifiers. 50 famous guitarists and bands, including Coheed & Cambria, Johnny Marr, Slipknot, and others, hand-crafted more than 300 of their signature tones, and turned them into Spider IV presets--from sparkling cleans to effect-laden tones to saturated high-gain heaven.
Plus, get one-touch access to almost 200 tones based on the best guitar songs of all time. From the switchblade-swinging slapback of the 1950s to the high-gain distortion of the 2000s, get the tones from Master of Puppets, Back in Black, Whole Lotta Love, Daytripper, Toxicity, Purple Haze, Head Like a Hole, Smells Like Teen Spirit, Crazy Train, and more.
You'll always sound your best with the built-in chromatic tuner. No need for an external tuner or additional guitar cables, this invaluable tool is integrated into the amps front panel. Simply activate the tuner with the push of a button. Plus, two 12" Celestion custom speakers help clean tones sparkle and sing, creamy overdrives respond to the intricacies of your picking, and searing brutal tones launch themselves from the cabinet.
Manual mode draws a more traditional amplifier experience out of Spider IV. When Manual mode is activated, all front-panel knobs work independently of one another. (Out of Manual mode, choosing an amp model may adjust the settings of the other front-panel knobs.)
To get the whole story of Spider IV amplifiers, you need to turn one around. All Spider IV combo amps feature a perfectly tuned three-quarter closed-back cabinet. This provides a tight, punchy, focused response that you can't get from an open-back cabinet. And a large, two-line LCD is your window into Spider IV. This is where you can deep dive into effects and adjust their parameters, scroll over 500 presets, see the tuner interface, name your user-created presets, get a visual representation of where your Smart FX knobs are set, and more.

Product Description

A redefinition of the sonically resounding possibilities available from modeling amps today the Spider IV 2x12 inch combo provides the most advanced Line 6 amp modeling with over 500 presets and a truly evolved playing experience. Spider III was the top selling guitar amp line in the country and now comes the Spider IV delivering even more tones modern and vintage and the use of their editable Smart FX.When you grab the dial on the slick faceplate of the 150 combo it's like someone took all the greatest amp tones and shoved them into a compact package to be recalled at your command. With 16 amp models quality effects and  two 12-inch Celestion Custom speakers you can finally unlock the key to happiness through the ultimate in guitar combo amps!Line 6 Spider IV 150 MKII Features: Insane Rock Star Tones The most advanced Line 6 amp modeling to date 300 artist presets handcrafted by Coheed and Cambria Johnny Marr Slipknot and others Instant access to great sound with easy-to-use Smart FX controls and presets 150 Watts of pure power Two 12 inch custom Celestion speakers 300+ presets hand-crafted by 50 world-famous bands and guitarists Almost 200 song-based presets from the 50's to today plus pitch-based presets 4 channels 64 user-created presets 16 of the latest most advanced Line 6 amp models 20 Smart FX (up to 4 at once) Quick Loop 14-second looper.

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I have played the guitar and other instruments for a little over 50 years. I have a collection of fine guitars that is modest in number but consists of some of the best instruments made. I am retired and play my music in a studio in my home that contains only two amplifiers and all the audio equipment necessary for a high grade amateur studio. One of these amplifiers is an old Fender Princeton; the other is a Line 6 Spider IV 150. I have not played professionally since the 70's because I decided to use my energy to become successful in business. Even though I have not played professionally for a long period of time, I have kept on top of the technology that is now available to guitarists that were only a dream in 1970. During my 50 years of playing I have played on many guitar amplifiers, all of which were supposed to be the "best" but rarely did they ever meet my quest for quality of sound regardless of price. I must say that the Line 6 Spider IV 150 combo amp is, in my opinion, the best value in guitar amplifiers I have ever come across for the following reasons:

1) The 150 watt amplifier section is powerful and permits high volume playing of clean sounds that remain clean. I assume it is a high current amp because of the nature of the delivery of its power.

2) The ability to produce many sounds through on board effects surpasses any other amp I have played.

3) The efficient use of controls on the face of the amp allows one to play and use all of the effects in an understandable system of controls which actually reduces the number of knobs by making many of them multipurpose controls that really are easy to use. The control of the amp benefits significantly by the addition of the optional "Short Board" that allows pedal adjustment and stomp on/off functions of all important controls. This short board is constructed of high strength materials and seems to be built to last a lifetime. (That may not be as long in my case, but I feel comfortable applying this statement to younger players.) The short board is not a necessity, but its addition makes the Spider IV 150 an integrated system in which the amplifier and short board complement each other. For live playing, the short board is a necessity. There is a larger two pedal board that I do not think is necessary nor worth the cost.

(4) The circuitry is quiet enough to permit direct amp to mixer recordings.

(5) While the Spider IV is a solid state amp, its sound is great, and will not disappoint those needing an amp of this size and power. However, I have become accustomed to quality solid state amps and have never really caught on to regularly overdriving tube amps to achieve an effect. This personal feeling may come from my early years of playing where overdriving was not an intended sound, but was simply the result of trying to play louder than the amp's capabilities. In the early 60's virtually all amps were underpowered and few groups could push much of their volume through large and powerful stage setups because they were frequently unavailable. This brings back the memory that even when I played as a teenager with a group, there frequently were situations where the power available in the venue was capable of driving all of our equipment. We satisfied this problem by always taking 6 12 gauge 100 foot extension cables.

(6) The 2 12" speakers seem to be able to reproduce whatever the amplifier can deliver (within reason).

I have been happy with the Spider IV 150 for almost a year and I believe I have used it enough to allow any shortcomings to surface. I have not detected any signs of shortcomings and, accordingly, I highly recommend this amplifier.

Getting the job done pretty well. It is what it is, and it is very, very good for what it promises it will do. It has performed well on gigs thus far, and has also provided nice recorded output. The "inward" recording console isn't the best for the purposes of recording, as I haven't been able to get a real "clean" signal (if you are proficient with Pro Tools, you will have to add some plug ins as far as noise reduction is concerned, which is not what the manufacturers seem to have had in mind regarding the unit and the promotions), but I will say that I have not seen many consoles provide such functions well in the past so what should this one do any better at the $500 price range? Cost effective unit, many sounds, much functionality, good outputted recordings. Not Marshall, but Line 6 will get you through the tour and even the studio session. One thing: yes, it does sound like a solid state amp in the studio (I have not experienced this limitation live), but you can tweak it if you know what you are doing as an engineer to make it sound much, much better. Recommended for those on a very, very tight budget.

Buy Line 6 Spider IV 150 150-watt 2x12 Modeling Guitar Amplifier NOW Cheap!

7.  Line 6 Spider IV 120 + Audix CabGrabber

Audix CabGrabber - Compact mic clamp for guitar amps and cabinet.

Buy Line 6 Spider IV 120 Guitar Amp + Audix CabGrabber Cheap NOW!

Features:

• Item Weight: 53 pounds
• Shipping Weight: 53 pounds
• ASIN: B002R1LZZO

Spider IV guitar amps redefine what is sonically possible from modeling amplifiers. Inspired by the features that made Spider III 120 the best-selling 2x10 combo amp in the country, Spider IV 120 boasts the most advanced Line 6 amp modeling to date, over 500 presets and a truly evolved playing experience.

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Includes 1 Line 6 Spider IV 120 Guitar Amp Models Effects FX, Includes 1 Audix Cab Grabber, Includes 2 Unique Squared Vinyl Stickers, Inspired by the features that made Spider III, 6 inspiring effects that add exceptional colors and textures

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  8.  Line 6 Micro Spider 6 Watt

Features:

• Four Spider III amp models and one acoustic guitar model, Six Smart Control FX.
• Integrated chromatic tuner with note-name display
• Six watts of power with a 6.5" speaker, Powered by six C batteries or included AC adapter
• POD 2.0-style direct output, " microphone input with dedicated mic trim knob, Mini stereo MP3/CD input, " instrument input, " headphone output
• 9.5"W x 10"H x 7"D, 7 lbs

• Product Dimensions: 0.9 x 0.7 x 1.3 inches ; 11 pounds
• Shipping Weight: 11.4 pounds
• Shipping: This item is also available for shipping to select countries outside the U.S.
• ASIN: B0017024Y2
• Item model number: 99-010-3105

The Line 6 Micro Spider is a fully loaded, battery-powered addition to the Spider™ family of amplifiers. At home, on vacation or in the back of the tour bus, Micro Spider is the portable amp you can truly rely on for brilliant on-the-go tones and effects for electric guitars, acoustic guitars and vocals. Offering attitude and flexibility unmatched by amps more than twice its size, Micro Spider has a larger-than-life Napoleon complex. Four Spider III amp models, a new acoustic guitar model and six Smart Control FX give Micro Spider a wide tonal range and real sonic versatility. And with POD® 2.0 -style direct out, Micro Spider is ideal for practicing with headphones and hassle-free direct recording.
There’s a lot of muscle in this raucous little box: the sound of six C batteries pushing six watts of screaming electricity through a 6.5" speaker has never sounded so ferocious. Plus, with its integrated chromatic tuner, Micro Spider has everything you need—wherever you are.
Rugged, reliable and ready to go, Micro Spider is always at your side whenever inspiration strikes.
Amp Models
Micro Spider offers a wide tonal range like the one made famous by its older siblings in the Spider family. Experience the brilliant on-the-go tones perfect for electric guitar or acoustic guitar. Plus, with its mic input, Micro Spider has a lot to say for such a small box.

Amp Models: Clean Crunch Metal Insane Acoustic

Tone Stack Controls: Bass Mid Treble

Effects: A Complete Palette of Colors and Textures
Spend more time playing and less time tweaking with Smart Control FX. Find the effect you want, turn the knob till it sounds right and you’re done. Six effects in total—use up to two at a time.
Effects Models:

• Phaser
• Chorus/Flanger
• Tremolo
• Sweep Echo (with Tap Tempo)
• Tape Echo (with Tap Tempo)
• Reverb

Specifications
Full of features made famous by the other, larger Spider amplifiers, Micro Spider is stuffed to the gills with great sounds, intuitive functions and easy-to-use controls. Every detail and nuance was chosen to make Micro Spider the essential portable amplifier.
Hardware

• Integrated chromatic tuner with note-name display
• Powered by six C batteries
• AC adapter (included)
• Six watts
• 6.5" speaker
• Strap included

Ins & Outs

• POD® 2.0-style direct output
• 1/4" microphone input with dedicated mic trim knob
• Mini stereo MP3/CD input
• 1/4" instrument input
• 1/4" headphone output

Dimensions

• 9.5"W x 10"H x 7"D
• 7 lbs

Product Description

Micro Spider is a fully loaded, battery-powered addition to the Spider family of amplifiers. At home, on vacation or in the back of the tour bus, Micro Spider is the portable amp you can truly rely on for brilliant on-the-go tones and effects.

Buy Line 6 Micro Spider 6-Watt Battery-Powered Guitar Amplifier

Not a bad little amp - for what it is. VERY handy for portable practice, just got back from 2 weeks at the beach and it served wonderfully with my BluesHawk. Also turning out to be really convenient for quiet practice at home via headphones. Batteries (6Cs) and the included AC adapter both work fine. Built in tuner is convenient, it will get you real close at least.

Buy Line 6 Micro Spider 6-Watt Battery-Powered Guitar Amplifier

I REALLY wish Line 6 would put (much) less emphasis on providing "Insane Rock Star Settings" - I guess its not hard to figure out their target audience, but come on - with only 5 amp models who really needs Crunch, Metal AND Insane?!? What about Blues (or even Twang)?...a model more for British/Classic Rock? Anyway, besides Clean, and a bit of Crunch, I do appreciate the inclusion of Acoustic mode for my Martin, which was a major reason I picked this amp over other similiar battery-capable ones (the other being that it's Line 6 as is my SV112 & Pocket Pod so functionality is familiar). Hmmm...but if it is for "portable practice", with an acoustic would one bother with an amp at all? Still, the choice is there for 'normal' practice situations.


Buy Line 6 Micro Spider 6-Watt Battery-Powered Guitar Amplifier
Unfortunately, the sound does suffer through headphones, and background hum/noise are especially more evident. The same headphones sound much nicer and cleaner on my PPod. However I do not get the 'ground loop noise' with my Gibsons as I typically do through my SV - which is very good.

I did not try the CD/MP3 input yet - though the idea of using this as a speaker for an IPod is cool - definitely will make use of that.

I had a Roland Micro Cube for a very shot time, and that also functioned well. The amp model choices there were much more useful (for me), and I do not recall the headphones bringing down the sound quality.

I purchased this amp to add some sonic flavor to my series of battery operated amplifiers. I have 2 Roland products a Micro Cube and a Cube RX, 2 Vox amps a D5 and D10 repsectively. Ok so let us get started. The first thing I have to say is that off all of my "amps" this one is the one that has the most features. Pros:
The Line 6 has 5 amplifier modes or channels! You can configure all of the amp settings and then save them for recall later (just set it the way you like and and press the button for that sound until the button blinks). The sounds are pretty good too, useful. I liked the input that allows you to add an mp3 player or other audio source (1/8 stereo mini)The tuner is also nice, not too accurate, but will get you in the ball park. Headphone output / Recording direct out. Cons: The knobs feel pretty flimsy, they are however pretty protected for the most part. Should you move one up or down you will see the rest follow suit. For something so promising it is ashamed that they chose to make a price point over quality. If you are a person that takes care of things, you will have no problem with this product.

Buy Line 6 Micro Spider 6-Watt Battery-Powered Guitar Amplifier

9. Line 6 Spider Valve 112

Buy Line 6 Spider Valve 112 MkII 40-watt 1x12 Guitar Combo Amp Cheap

Features:

• Brawny, boutique-style tube tone and the most advanced amp models with complete flexibility and deep editing; 40 watts; 12-inch Celestion® Vintage 30 speaker; two 12AX7 preamp tubes; two matched 6L6 power tubes; 4 channels; 128 user-programmable presets
• 16 world-class amp models based on vintage and modern heads and combos; 20 Smart FX including Smart Harmony, Pitch Glide, Auto-Wah, Quick Loop, Delays, Mods, Reverbs, more; up to 4 FX at once; tweak up to 6 parameters; route FX pre or post
• Seamless MIDI integration; Performance Mode provides a direct signal that captures the interaction between tubes and modeling, Studio Mode provides a direct signal that captures modeling only
• Built-in chromatic tuner; manual mode; 1/4-inch guitar in; XLR out; RJ-45 FBV foot controller in; MIDI in/out; 1/4-inch pre amp in; 1/4-inch power amp output; XLR output; 1/4-inch speaker outputs; tuned three-quarter closed-back cab for exceptional feel
• Optional Line 6 FBV Shortboard MkII foot controller provides out-of-the-box Volume/Wah, Pitch Glide, preset control, Quick Loop control, Tap Tempo, chromatic Tuner display, simple channel switching and more
• Brawny, boutique-style tube tone and the most advanced amp models with complete flexibility and deep editing; 40 watts;
• 16 world-class amp models based on vintage and modern heads and combos
• Seamless MIDI integration; Performance Mode provides a direct signal that captures the interaction between tubes and modeling
• Built-in chromatic tuner; manual mode; 1/4-inch guitar in; XLR out; RJ-45 FBV foot controller in; MIDI in/out; 1/4-inch pre amp in
• Optional Line 6 FBV Shortboard MkII foot controller provides out-of-the-box Volume/Wah, Pitch Glide, preset control, Quick Loop control

Buy Line 6 Spider Valve 112 MkII 40-watt 1x12 Guitar Combo Amp Cheap

• Product Dimensions: 16 x 28 x 27.2 inches ; 62 pounds
• Shipping Weight: 63.3 pounds 
• Shipping: This item is also available for shipping to select countries outside the U.S.
• Shipping Advisory: This item must be shipped separately from other items in your order. Additional shipping charges will not apply.
• ASIN: B002OHE09O
• Item model number: Spider Valve 112 MKII

Spider Valve MkII 112 40-watt guitar combo amp is the result of a ground-breaking collaborative effort between living-legend amp designer Reinhold Bogner and renowned amp-modeling upstarts Line 6. It offers the best of both worlds: brawny, boutique-style tube tone and the latest, most advanced Line 6 amp modeling with complete flexibility and deep editing. Build your sound from the ground up with 16 of the most advanced Line 6 amp models. Each one was inspired by a celebrated American, British and European head or combo. Get sparkling clean tones, syrupy smooth drive tones, high-gain onslaughts, mid-range tones on the verge of breakup, and more with the tonal nuances of the modeled originals. Start smart and dive deep with the unprecedented control of Line 6 Smart FX. 20 brilliant effects deliver unprecedented color, adjustability and routing options. Dig into the Smart Harmony, Pitch Glide, the 14-second Quick Loop, and more, and route each one pre or post for an extraordinary collection of tone-shaping tools. Plus, you get every guitarist’s required palette of colors including beautiful Delays, Mods, Reverbs and more. Tweak up to 6 effect parameters; use up to 4 effects simultaneously. The signal from the Line 6 front-end flows into the Bogner-designed 12AX7 preamp to produce creamy, cascading distortions and enriched tube harmonics. The 6L6 power tubes drive the Celestion® Vintage 30 speaker in the three-quarter closed-back cabinet to provide unprecedented sonic impact, exceptional feel and tonal richness. Line 6 FBV Shortboard MkII foot controller pairs perfectly with Spider Valve MkII 112 to offer out-of-the-box Volume/Wah, Pitch Glide, preset control, Quick Loop control, and more.

Buy Line 6 Spider Valve 112 MkII 40-watt 1x12 Guitar Combo Amp Cheap

10. Line 6 Spider III 30 Watt

Buy Line 6 Spider III 30-Watt Guitar Combo Amplifier NOW!

Features:

• 4 Essential Amp Models, 6 Effects (2 simultaneous) including phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb, 4 user programmable channels
• CD/MP3 jack, Headphone/Direct Out for practice or recording
• Custom Celestion 12 speaker
• 30 Watts
• 4 Essential Amp Models, 6 Effects including phaser, Chorus, Tremolo, Sweep Echo, Tape Echo, and Reverb, 4 user programmable channels
• Power: 30 Watts

• Item Weight: 31 pounds
• Shipping Weight: 28.6 pounds
• Shipping: This item is also available for shipping to select countries outside the U.S.
• ASIN: B000JKR7XO
• Item model number: 99-010-2605

The Line 6 Spider III 30 Guitar Combo Amplifier is a 30 watt solid state guitar amplifier with built-in Amp and effects modeling. This is a good amp for a guitarist in a band playing smaller venues, and also makes a good practice amp as well. Spider™ III delivers detailed amp models based on some of the greatest guitar sounds ever created. To keep these sounds authentic, we kidnapped some of our favorite artists to dial in each amp model. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.

Buy Line 6 Spider III 30-Watt Guitar Combo Amplifier NOW!

Features:

• 4 Essential Amp Models
• 6 Effects (2 simultaneous) including phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb
• 4 User-programmable channels
• CD/MP3 jack
• Headphone/Direct Out for practice or recording
• Custom Celestion® 12-inch speaker
• 30 Watts

Amp Models::
Clean
Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.
Crunch
This Amp Model is based on* a ‘68 Marshall® Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input channels creates that infamous brown sound.
Metal
This Amp Model is based on* the Mesa/Boogie® Dual Rectifier®. Use this Amp Model to get a tight and punchy, high gain Metal sound.
Insane
This model is our "dialed in for shredding" version based on* the Mesa/Boogie® Dual Rectifier® red channel. It combines the intensity and impact of Metal Red, but delivers more midrange and teeth for that bone-crushing, brain piercing insane grind.
Effects:
A great amp isn’t the only part of a great guitar sound. With Smart Control FX, an exclusive Line 6 feature that automatically dials in different effect parameters, you spend more time playing and less time tweaking. Simply find the effect that you want, turn the knob to your desired intensity, and you’re done. You can even use multiple effects at the same if you wanna get really crazy.
Effects Models (Up to 2 effects simultaneous): Phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb.
INS & OUTS When you’re playing with your band on stage just drag the Spider™ III on stage and crank it up. When it comes time to record, use the headphone/direct out and plug it straight into the mixing board for world-class POD® 2.0 direct tone used in pro studios and stages everywhere! You can also use the same out with headphones for practicing in your bedroom. Want to play along with your favorite songs? Plug into the CD/MP3 input and you’re good to go.

Buy Line 6 Spider III 30-Watt Guitar Combo Amplifier NOW!

Product Description

Spider III 30 delivers 4 remarkable amp channel models with Clean, Crunch, Metal, and Insane all dialed in by an amazing team of artists. Six Smart Control FX (two simultaneous) including, Phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb are all dialed in and ready to go. Features also include a CD/MP3 input jack and a headphone/recording output. Spider III 30 also includes a footswitch jack that's compatible with the FBV2, FBV Express, and FBV Shortboard foot controllers. 

Line 6 has released a wide variety of products over the years and of trying various items, this amp has so far become one of their most first-rate music accessories in my book (you can find my book at your local library...haha) with a extensive assortment of features and attractive sound output eminence, it certainly deserves a purchase from any guitar enthusiast who is in need of quality presentation.

The features are beautifully user responsive, with simplicity for any skill set guitarist which, comprised of various sound effect alternatives, as well as common and greater preset amp tones, is designed with the well-known guitar legends in mind. As listed in the product details and manufacturer's description, the presets are clean, crunch, metal and insane and can be altered and saved to your own unique profile settings.

*Clean is actually perfectly set, in my opinion, for the classic smooth sound. The only tweak I made to it was an increase in the bass tone which is just a personal preference in tone.
*Crunch - The slightly distorted, heavy bass setting is a decent alternative to clean and is a useful tool for more of a "Zeppelin" sound. I had to make a few tweaks to all tones settings to get my preferred sound, but overall it's great as is.
*Metal is self explanatory and is quite useful for new-age, 4 chord rock (grunge/alternative) and of course, metal. My favorite use for it is palm muted power chords and lead guitar/solos. My only tweak to this setting was to increase treble (oddly enough) to actually give it more of a "crunchiness" for string mutes and pinch harmonics.
*Insane to me is the same as the metal setting, just with a lot more distortion and I rarely use it, so I unfortunately cannot say much about it.

The other effects are for the more glam guitarist but included a few that I found useful, including Phaser, Chorus and Tape Echo.
*Phaser adds an interesting "sci-fi" sound effect added to notes and is really only very audible when used with a clean effect.
*Chorus production gives you that watery after ring (think "Come as you are" by Nirvana) that can be used lightly or tremendously, depending on your preference, with a simple adjustment of the knob and additionally, is best with clean notes, but is more audible with distortion than the phaser cousin.
*Tape Echo modification has been used on the first song I ever recorded and I was amazed with the adaptability and precision of this effect, leaving variation open to any amp effect of individual partiality. Furthermore, to alter the delay of the echo is exceptionally straightforward and amazingly accurate; with a simple push of the button and repeating the tapping the button again for ½, ¼, eighth, sixteenth note, etc. softened duplicate resonation.


Buy Line 6 Spider III 30-Watt Guitar Combo Amplifier NOW!

The amp's only blemish I would consider is the MP3 jack used for recording the music in which Line 6 would've been better off utilizing a USB jack. The connection to the amp for this jack seems touchy, but perhaps that is just a flaw with my amp individually. This alone was definitely not enough to give it any less than a five-star rating.

To conclude, this amp is, as stated previously, a must for anyone who enjoys intuitive accessories for their guitar and is fine compliment to any band or musical endeavor.

I bought this model amp several months ago at a local Guitar Center. Mainly due to the fact my then current amp was a generic squawk box of absolute zero quality. I walked in, and began my search for a nice $200ish amp.

And boy, oh boy, let me tell you I made the right choice. I shopped around the store, trying out every single amplifier of similar price (my range was between $150 and $300) to make the best call of judgment that I could. I plugged in my Ibanez and played to my hearts content, mostly thrashy, deathy stuff. Being mostly a metalhead, the four individual channels (especially Metal and Insane) really appealed to me. The versatility they allow is outstanding. Believe me, you will find a tone you like with this machine. The only complaint is that you do get some effects that you most likely will never use (like Tremolo, or the Echo). And each effects knob controls three separate effects, so you cannot intermingle flange and phaser, for instance. Then again, I almost never use them, so it doesn't bother me in the least.

Now before I made a purchase with the salesman who looked like he needed to shower and wash the cigarette stains from his teeth, I played every single amplifier they had of similar price and specifications. I played two different Fender combos, a couple of Marshalls (which were the most expensive, mostly because you pay extra for the marshall name), a Raven combo, and a Crate. Now obviously, I shan't go in to fine detail relating to all of them, but rest assured all these manufactures make decent good models in their own right, and you would not be shorting yourself if you went with any of them, but for shear value, this Line 6 is an excellent choice.

Buy Line 6 Spider III 30-Watt Guitar Combo Amplifier NOW!

I went with this amp because it suits my needs: I play Heavy Metal style music %90 of the time, and the "Metal" and "Insane" channels both sound very nice considering this is a solid-state modelling amp. I loved the tone, and it really gave me that warm feeling inside to play better and louder for the hell of it. Add a little (just a little) reverb and push the gain knob to around 8 and I'm a happy guy. the direct input is also a really great feature, my former bandmates used it often to record late at night when our bassists dad would head off to slumberland.

Now, it's obvious that better amps exist. But it would be unfair to rate this amplifier in comparison to, say, a Marshal JCM all-tube model half-stack. So one must consider the context this amp is for. I've used this amp for a couple small club shows, and many people are surprised such a small machine can be loud enough to work in a dingy little cafe or public center.

Unless you're playing in the Garden or touring with Heaven & Hell, this is a definite value for the rock guitarist.

Bottom Line: Need something versatile and affordable? Look no further

I have been playing guitar for a while, and decided to get an electric guitar. I purchased a Les Paul, and this amp. This amp is pretty good. There is no hiss at all, which is really great. None of the nobs crackle, and the body feels strong. I don't like the built-in effects. If you are buying this for effects, don't. They sound thin and cheap, except for the echo. Also, you cannot get a real clean sound because a preset is always changing it a little. I f you want effects, it would be better to get actual pedals.
However, if you are on a budget, this would be a good amp. It has all the things you want in a first amp. If it is your first amp, then you should buy it.
PROS:
No hiss
solid construction
good price

CONS:
bad sounding effects
to many adjustments needed to make a clean sound.
If this is your first amp, buy it.

Buy Line 6 Spider III 30-Watt Guitar Combo Amplifier NOW!

11. Line 6 Spider III 15 Watt

Buy Line 6 Spider III 15-Watt Guitar Combo Amplifier Cheap NOW!

Features:

• 4 Essential Amp Models, 6 Effects (2 simultaneous) including phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb, 4 user programmable channels
• CD/MP3 jack, Headphone/Direct Out for practice or recording
• Custom 8" speaker
• 15 Watts

Buy Line 6 Spider III 15-Watt Guitar Combo Amplifier Cheap NOW!

• Item Weight: 21.4 pounds
• Shipping Weight: 20.2 pounds
• Shipping: This item is also available for shipping to select countries outside the U.S.
• ASIN: B000JKVLE0
• Item model number: 99-010-2505

The Line 6 Spider III 15 Guitar Combo Amplifier is a 15 watt solid state guitar amplifier with built-in Amp and effects modeling. It's a good samll amplifier for a starting guitar player, and makes a great home practice amp for more experienced players. Spider™ III delivers detailed amp models based on some of the greatest guitar sounds ever created. To keep these sounds authentic, we kidnapped some of our favorite artists to dial in each amp model. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.

Buy Line 6 Spider III 15-Watt Guitar Combo Amplifier Cheap NOW!

Features:

• 4 Essential Amp Models
• 6 Effects (2 simultaneous) including phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb
• 4 User-programmable channels
• CD/MP3 jack
• Headphone/Direct Out for practice or recording
• Custom 8-inch speaker
• 15 Watts

Amp Models:
Clean
Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.
Crunch
This Amp Model is based on* a ‘68 Marshall® Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input channels creates that infamous brown sound.
Metal
This Amp Model is based on* the Mesa/Boogie® Dual Rectifier®. Use this Amp Model to get a tight and punchy, high gain Metal sound.
Insane
This model is our "dialed in for shredding" version based on* the Mesa/Boogie® Dual Rectifier® red channel. It combines the intensity and impact of Metal Red, but delivers more midrange and teeth for that bone-crushing, brain piercing insane grind.
Effects:
A great amp isn’t the only part of a great guitar sound. With Smart Control FX, an exclusive Line 6 feature that automatically dials in different effect parameters, you spend more time playing and less time tweaking. Simply find the effect that you want, turn the knob to your desired intensity, and you’re done. You can even use multiple effects at the same if you wanna get really crazy.
Effects Models (Up to 2 effects simultaneous): Phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb.
When you’re playing with your band on stage just drag the Spider™ III on stage and crank it up. When it comes time to record, use the headphone/direct out and plug it straight into the mixing board for world-class POD® 2.0 direct tone used in pro studios and stages everywhere! You can also use the same out with headphones for practicing in your bedroom. Want to play along with your favorite songs? Plug into the CD/MP3 input and you’re good to go.


Buy Line 6 Spider III 15-Watt Guitar Combo Amplifier Cheap NOW!

Product Description

Spider III 15 delivers 4 remarkable amp channel models with Clean, Crunch, Metal, and Insane all dialed in by an amazing team of artists. Six Smart Control FX (two simultaneous) including, Phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb are all dialed in and ready to go. Features also include a CD/MP3 input jack and a headphone/recording output. 

A few days ago I borrowed a Spider II 15 from a friend, I was impressed with it , and since I had to borrow an amp you should get the idea that I needed a new small practice amp... while many adequate small amps (10-25 watts) exist they tend to be small sounding and shy on features, or the effects are substandard and don't sound like high quality stomp boxes at all .... The Spider II proved to be an exception to this notion, I knew within an hour that Line 6 would probably be the maker of whatever amp I ended up buying...This was my first hands on with a Line 6 product, by the way....


Buy Line 6 Spider III 15-Watt Guitar Combo Amplifier Cheap NOW!

So I began to search for a baby spider of my own ... I found a great deal on a Spider III 15 at Guitar Center and rushed to town to snag me one of my own ... I bought the very last one at the store, they sell very quickly I was told by the salesman ... Lucky me !!

Cosmetically the spider III looks almost exactly like the II, the features are the same, but the III has been noticeably tweaked to the consumers benefit .. The effects sound a bit better and the mids are allot better, and they were already pretty darn great on the Spider II!

Its loud for a 15 watter ... sounds clean for a small amp even at rather high volume, very solidly built for any amp but extremely so for under 100 dollars, the effects sound right, like high quality stomp boxes rather than cheesy amp based effects .. like I found on my old Crate 15 watter, for instance, The custom made 8'' speaker handles the sound very well this is simply a best of its class unit in every aspect of its being!

One complaint about the Spider III 15 is regarding what some folk consider misleading claims on the packaging description about the artist presets. True the settings are hard to find at the Line6 website but with a little searching there are a few pdf documents demonstrating a bunch of artist settings for a number of songs.... and the nobs are great fun to fiddle around with anyway, very responsive as well!

All in all I could not recommend this product highly enough, and I recommend this amp to anybody needing a high quality small amp at a very reasonable price ... Its the best of its kind I have ever used, and I have used, borrowed or owned a bunch of small amps over the last 30 or so years..

My next big amp will likely be a Line 6 product as well .. They really seem to have a knack for rethinking design and technology and use these innovations across the entirety of their product lines, plus on the low end they have a good sense of which bells and whistles to leave out and which to include for the highest quality sound, highest level of functionality and biggest bang for your buck!!

I actually won this amp in a music contest and, given the very low price, I frankly didn't expect much. Was I ever wrong!


Buy Line 6 Spider III 15-Watt Guitar Combo Amplifier Cheap NOW!

This is a great little amp. Compared to my 70's vintage Fender Sidekick Reverb, it's light as a feather still manages to give a great, clean sound. And the volume isn't anything I'd use for stage work, but it's still loud enough to drive my wife to distraction and I'm usually relegated to keeping it a respectable level. Which, by the way, still sounds great. And the special FX are fun that my aforementioned Fender couldn't have dreamed of.

The four presets and six FX are fun to play with and you can easily get your self wrapped up just playing scales and fiddling with knobs. The four factory presets are interesting and you can use them to program your own favorite settings (the manual says) but I really haven't played with that particular feature. And the presets, at least for me, aren't all that different. I can't tell that much difference between "Crunch" and "Metal" but maybe it's just my cheesy playing.

Another reviewer has mentioned the "song based" presets, but the 15w doesn't offer this option. As near as I can tell you have to be into the Line 6 Spider III 120 Guitar Combo Amplifier range before the cabinet is even big enough to hold the necessary panels and buttons and stuff.

Still, that's not what this product is designed for. It's a fun amp for practice or play, but not pro.

Buy Line 6 Spider III 15-Watt Guitar Combo Amplifier Cheap NOW!

12. Line 6 Spider III 150 Watt

Buy Line 6 Spider III 150 Guitar Combo Amplifier NOW!

Features:

• 12 Custom Amp Models from Clean to Insane, 7 Smart Control FX (up to 3 simultaneous) including Tape Echo, Sweep Echo, Standard Delay (all withTap Tempo) Chorus/Flanger, Phaser, Tremolo, and Reverb
• 250 artist-created presets, 150 song-based presets
• Built-in front panel tuner
• 2 - 12 Custom Celestion Speakers
• 150 Watts Stereo (75W x 2)
• 12 Custom Amp Models from Clean to Insane, 7 Smart Control FX including Tape Echo, Sweep Echo, Standard Delay Chorus, Phaser, Tremolo, Reverb

• Item Weight: 63 pounds
• Shipping Weight: 58.2 pounds
• Shipping: This item is also available for shipping to select countries outside the U.S.
• ASIN: B000JKTJZS
• Item model number: 99-010-2905

Buy Line 6 Spider III 150 Guitar Combo Amplifier NOW!

Spider™ III delivers detailed amp models based on some of the greatest guitar sounds ever created. To keep these sounds authentic, we kidnapped some of our favorite artists to dial in each amp model. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you.

Buy Line 6 Spider III 150 Guitar Combo Amplifier NOW!

Features:

• 12 Custom Amp Models from Clean to Insane
• 7 Smart Control FX (up to 3 simultaneous) including Tape Echo, Sweep Echo, Standard Delay (all with Tap Tempo) Chorus/Flanger, Phaser, Tremolo, and Reverb
• 250 artist-created presets
• 150 song-based presets
• Plus 36 user programmable presets
• Built-in front panel tuner
• 2 - 12-inch Custom Celestion® Speakers
• 150 Watts Stereo (75W x 2)

Amp Models:
Clean
Red LED - Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end.
Glassy
Green LED - We developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It started off as an Amp Model based on* a 1973 Hiwatt® Custom 100. We extended the tone control range and tightened up the low end.
Twang
Red LED - This Amp Model draws on* our analysis of mid 60’s Fender® amps, including the blackface ’65 Twin Reverb® and blackface ’64 Deluxe Reverb®. We wanted an Amp Model that has that classic glassy high end tone, with some snap and bite.
Twin Twang
Green LED - This Amp Model is based on* a number of vintage tweed amps. We evaluated a ’53 Fender® tweed Deluxe Reverb®, ’58 Fender® tweed Bassman® and a ’60 Gibson® Explorer® to create a swingin’ Rockabilly tone.
Blues
Red LED – Based on* a mix of a ’65 Marshall® JTM-45, a ’58 Fender® Bassman®, a ’63 Fender® Vibroverb and a Supro®, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones.
Class A
Green LED - This Amp Model is based on* a fawn Vox® AC-30 amplifier with an updated and expanded tone control circuit. We wanted to capture that early British pop rock tone that the Beatles and the Stones are so well known for.
Crunch
Red LED - This sound was crafted during our studies* of the '68 Marshall® Plexi 50 Watt. This type of Marshall® amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall® amp had.
On Fire
Green LED - This Amp Model is based on* a ‘68 Marshall® Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input channels creates that infamous brown sound.
Metal
Red LED - This Amp Model is based on* the Mesa/Boogie® Dual Rectifier®. Use this Amp Model to get a tight and punchy, high gain Metal sound.
Spinal Puppet
Green LED - This sound was created to be an aggressive high gain Amp Model with a unique Mid control that will sweep though an entire spectrum of tone on one knob. The Mid knob for this Amp Model changes the character of the distortion. When set to minimum, the distortion exhibits Fuzz pedal characteristics. When the Mid is set to noon, it mimics the creamy modern high gain amp tones. And when the Mid knob is turned up to max, it’s very much reminiscent of that Class A sound.
Insane
Red LED - This model is our "dialed in for shredding" version based on* the Mesa/Boogie® Dual Rectifier® red channel. It combines the intensity and impact of Metal Red, but delivers more midrange and teeth for that bone-crushing, brain piercing insane grind.
80s Solo
Green LED - Our goal with Insane was to provide you with as much input gain distortion as possible short of complete meltdown. You get an obscene helping of distortion, while still retaining tonal definition and character.
Effects:
A great amp isn’t the only part of a great guitar sound. With Smart Control FX, an exclusive Line 6 feature that automatically dials in different effect parameters, you spend more time playing and less time tweaking. Simply find the effect that you want, turn the knob to your desired intensity, and you’re done. You can even use multiple effects at the same if you wanna get really crazy.
Effects Models (Up to 3 effects simultaneous) : Phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb.
Ins & Outs:
When you’re playing with your band on stage just drag the Spider™ III on stage and crank it up. When it comes time to record, use the headphone/direct out and plug it straight into the mixing board for world-class POD® 2.0 direct tone used in pro studios and stages everywhere! You can also use the same out with headphones for practicing in your bedroom. Want to play along with your favorite songs? Plug into the CD/MP3 input and you’re good to go.

Buy Line 6 Spider III 150 Guitar Combo Amplifier NOW!

I own this beauty of an amp. I love playing the guitar, but this amp really revived the fun in playing. There are so many tones you can get with the amp it's crazy. You can get beautiful cleans tones all the way to searing metal madness. That's not even counting all the preset tones in it. I would also suggest dropping the cash for the FBV Express footswitch or the PodXT Live. It's a hassle to be in the middle of jamming then reaching over to change channels or banks. The FBV Express doesn't have a bank switch, but it does have 4 channel switches, volume/wah pedal, and a built in tuner. Plus, it's only $100. The XT Live is like $400. Enough about the footswitches though. The amp is perfect for jamming or practices. It's fairly loud so you might could pull off small gigs with it also. With all the amp models and effects built in though it's perfect for traveling. You don't have to haul around your entire rig just to go to practice or jamming. Just pull the power cord, pick up, and go. It's pretty light despite it's size also.

Grab this amp if you want to breath new life into your music. It's a blast.

Buy Line 6 Spider III 150 Guitar Combo Amplifier NOW!

I have had this amp for about two years now and have to say it is a wonderful amp for any type of music, You may want to buy the footswitch, it helps a lot when switching. The pod xt works great with this amp, I play an ibanez rg 350mdx and an esp ec-1000 with it. Sound is so loud you can hear it down the block on just around the 3 mark, its plenty loud!!over-powering my drummers vinnie paul snare! If you want a great amp for practice and small gigs it has it all. It can even hold up to some half stacks easily. It is fairly light and has a cd /mp3 player to play along with your favorite jams. The manual sucked and i wish they had a better manual because this thing has so many sounds and features but tweaking it you figure it out. It is a good price and made very well, for some it may be the only amp you would ever need. It has even more features with the pod xt. Ive had fun with it and it lights up with green, red, and amber displays. and looks cool when its on. I play mostly metal and it has killer distortion sounds. Has about 400 or more presets that will take you forever to play with. check it out! you will love it ! METAL!!!

Very powerful amp. Lots of amp models to choose from. What can be said that hasn't been said before by other reviewers? Yeah, it's not a tube amp, but come on, for the price they're selling this thing, it's a steal.

Buy Line 6 Spider III 150 Guitar Combo Amplifier NOW!

13. Line 6 Spider II 210 Watt

Buy Line6 Spider II 210 Stereo Guitar Combo Amplifier (2x60 Watts, 2x10 in.) Now Cheap!

Features:

• Packed with 12 insane amp models and 7 psychotic effects
• It has has enough power to ward off pesky chupacabras and the occasional Evil Payaso

Product Manual [511kb PDF]

• Item Weight: 54 pounds
• Shipping Weight: 54 pounds
• ASIN: B0002PZD4Q

Spider II is the only amp designed from the ground up to drown out the voices inside your head. Packed with 12 insane amp models and 7 psychotic effects, Spider II has enough power to ward off pesky chupacabras and the occasional Evil Payaso.

Buy Line6 Spider II 210 Stereo Guitar Combo Amplifier (2x60 Watts, 2x10 in.) Now Cheap!

 14. Line 6 Spider II 112 Watt

Buy Line 6 Spider II 112 Guitar Amp Now!

Features:

• 12 unique amp models
• 7 different effects with 3 available simultaneously
• Smart FX knob for easy tweaking
• Delay times can be set via tap tempo
• Custom Celestion 12" speaker

• Item Weight: 39 pounds
• Shipping Weight: 48 pounds
• Shipping Advisory: This item must be shipped separately from other items in your order. Additional shipping charges will not apply.
• ASIN: B0002CZX3A

Spider II 112 packs 12 insane amp models, 7 psychotic effects, and 75-watts of juice into one powerful and destructive combo. Now take a look inside the twisted mind of an amp with nothing to lose. Features:

• 12 amp models that deliver a complete range from Clean to Insane
• 7 Smart Control effects (up to 3 simultaneous) including Tape Echo, standard Delay, Sweep Echo (all w/Tap Tempo), Chorus/Flanger, Phaser, Tremolo and Reverb
• 4 User-programmable channels
• Built-in front panel Tuner
• Effects: Great amp tone is only part of a killer tone. Spider II packs several powerful tone shaping effects. The Modulation knob gives you your choice of Chorus/Flanger, Phaser, or Tremolo. Grab the Delay knob and you get your choice of classic Tape Echo, standard Delay, and Sweep Echo. There's even a dedicated Reverb. 

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Product Description

75-watt Guitar Combo Amp w Modeling & Effects!

For those of you metal heads out there!!!! This is for you!!! Just add this to a top of the line Jackson and you'll be headbangin' in no time.

This is a one of a kind Amp. The damn thing is pretty heavy, but the quality that its Celestion (yes, I said Celestion) speaker produces makes you forget it was ever painful in the first place. The amp includes 7 digital effects of which 3 can be played simaltaneously and 12 different amp models from different eras of music.

My personal favorite is "Insane" for it produces the greatest distortion I've ever heard. For you true metalheads, this one's for you!!!!

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I've had this amp for about a year now. It's a great investment. There are a couple problems with circuitry sometimes--about once every 3 months it goes whacko, but you just do the reset that they tell you how in the instructions and it's good as new. You can get pretty much any sound you want, though getting just the right distortion is a lot of work. The 4 button footswitch is $75 here so be prepared to pay if you want it. I dunno, I find like the blues sounds and the clean/classic crunch just a little weak and underresearched, but pretty much everything on this amp is excellent.

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This is a great amp. It has tons of effects, it sounds good it's made by a very reliable brand, and it had a handle on top for easy transportation. I just generally like this amp.

15. Line 6 Spider III 120 Watt

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Features:

12 Custom Amp Models from Clean to Insane, 7 Smart Control FX (up to 3 simultaneous) including Tape Echo, Sweep Echo, Standard Delay (all with Tap Tempo) Chorus/Flanger, Phaser, Tremolo, and Reverb 250 artist-created presets, 150 song-based presets Built-in front panel tuner 2 - 10 Custom Celestion Speakers 120 Watts Stereo (60W x 2) 12 Custom Amp Models from Clean to Insane, 7 Smart Control FX including Tape Echo, Sweep Echo, Standard Delay Chorus, Phaser, Tremolo, Rever Item Weight: 55 pounds Shipping Weight: 53.6 pounds (View shipping rates and policies) Shipping: This item is also available for shipping to select countries outside the U.S. ASIN: B000JKR7YI Item model number: 99-010-2805 Spider™ III delivers detailed amp models based on some of the greatest guitar sounds ever created. To keep these sounds authentic, we kidnapped some of our favorite artists to dial in each amp model. Now you can rule the stage with the Insane model with its truly massive gain or explore your sensitive side in the studio with the Clean model. It’s all up to you. Buy Line 6 Spider III 120-Watt Guitar Combo Amplifier Cheap NOW! Features: 12 Custom Amp Models from Clean to Insane 7 Smart Control FX (up to 3 simultaneous) including Tape Echo, Sweep Echo, Standard Delay (all with Tap Tempo) Chorus/Flanger, Phaser, Tremolo, and Reverb 250 artist-created presets 150 song-based presets Plus 36 user programmable presets Built-in front panel tuner 2 - 10-inch Custom Celestion® Speakers 120 Watts Stereo (60W x 2) Amp Models: Clean Red LED - Select this Amp Model and adjust the tone controls to get crisp, amazing clean tones, great warm jazz tones, and all the high-end shimmer you’ll need with a generous amount of bottom end. Glassy Green LED - We developed this Amp Model to emulate those late 60’s and early 70’s clean tones. It started off as an Amp Model based on* a 1973 Hiwatt® Custom 100. We extended the tone control range and tightened up the low end. Twang Red LED - This Amp Model draws on* our analysis of mid 60’s Fender® amps, including the blackface ’65 Twin Reverb® and blackface ’64 Deluxe Reverb®. We wanted an Amp Model that has that classic glassy high end tone, with some snap and bite. Twin Twang Green LED - This Amp Model is based on* a number of vintage tweed amps. We evaluated a ’53 Fender® tweed Deluxe Reverb®, ’58 Fender® tweed Bassman® and a ’60 Gibson® Explorer® to create a swingin’ Rockabilly tone. Blues Red LED – Based on* a mix of a ’65 Marshall® JTM-45, a ’58 Fender® Bassman®, a ’63 Fender® Vibroverb and a Supro®, this Amp Model slides between gritty swamp-infected cleans to syrupy smooth, walloping drive tones. Class A Green LED - This Amp Model is based on* a fawn Vox® AC-30 amplifier with an updated and expanded tone control circuit. We wanted to capture that early British pop rock tone that the Beatles and the Stones are so well known for. Crunch Red LED - This sound was crafted during our studies* of the '68 Marshall® Plexi 50 Watt. This type of Marshall® amp was used by a number of early metal bands. Crunch provides a wider range of tone control settings than the original Marshall® amp had. On Fire Green LED - This Amp Model is based on* a ‘68 Marshall® Plexi 100 watt with a few added extras; The combination of a Variac and the jumped input channels creates that infamous brown sound. Metal Red LED - This Amp Model is based on* the Mesa/Boogie® Dual Rectifier®. Use this Amp Model to get a tight and punchy, high gain Metal sound. Spinal Puppet Green LED - This sound was created to be an aggressive high gain Amp Model with a unique Mid control that will sweep though an entire spectrum of tone on one knob. The Mid knob for this Amp Model changes the character of the distortion. When set to minimum, the distortion exhibits Fuzz pedal characteristics. When the Mid is set to noon, it mimics the creamy modern high gain amp tones. And when the Mid knob is turned up to max, it’s very much reminiscent of that Class A sound. Insane Red LED - This model is our "dialed in for shredding" version based on* the Mesa/Boogie® Dual Rectifier® red channel. It combines the intensity and impact of Metal Red, but delivers more midrange and teeth for that bone-crushing, brain piercing insane grind. 80s Solo Green LED - Our goal with Insane was to provide you with as much input gain distortion as possible short of complete meltdown. You get an obscene helping of distortion, while still retaining tonal definition and character. Effects: A great amp isn’t the only part of a great guitar sound. With Smart Control FX, an exclusive Line 6 feature that automatically dials in different effect parameters, you spend more time playing and less time tweaking. Simply find the effect that you want, turn the knob to your desired intensity, and you’re done. You can even use multiple effects at the same if you wanna get really crazy. Effects Models (Up to 3 effects simultaneous) : Phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb. Ins & Outs: When you’re playing with your band on stage just drag the Spider™ III on stage and crank it up. When it comes time to record, use the headphone/direct out and plug it straight into the mixing board for world-class POD® 2.0 direct tone used in pro studios and stages everywhere! You can also use the same out with headphones for practicing in your bedroom. Want to play along with your favorite songs? Plug into the CD/MP3 input and you’re good to go. Buy Line 6 Spider III 120-Watt Guitar Combo Amplifier Cheap NOW! Ok well the shipping is excellent with this amp, it came in two days which was awesome. there are so many presets on this amp i haven't even been through them all yet, it does have an awesome saving feature though so when you find you right tones you hold down the channel button u want it on and it saves the sound which was handy to have, and when you save them you can also rename them which was cool, i use it at my band practices and it sounds decent and it can get very loud, i see no reason it ever has to go past ways, other wise you will rock the house, but when it's loud it doesn't sound as good. i havent used it in any gigs yet but i cant wait to try it. pros- so many presets, saving the tone you like, loudness, effects cons- only a couple of clean sounds, really bad sound quality when loud, better amps out there. Buy Line 6 Spider III 120-Watt Guitar Combo Amplifier Cheap NOW! Well......................... I think the amp modeling technology is cool. It comes with 400 preset amp models sounds. The CLEAN presets: There is really only ONE clean sound that is usable.(The rest of the preset cleans are all covered with goofy effects). But, after minimal tweaking, that one clean sound turned out very nice - it had a nice, rich, bright tone I think. This tone ended up being my favorite thing about this amp. The DISTORTED presets: There are a many, many to choose from. However, after turning knobs and grumbling for a couple of months, I could never find a dirty tone that I was happy with. Even with tweaking the stored presets ... nothing really sounded that great - at least at performance volumes. Sitting in my living room (at lower volumes), some of the dirty presets sounded pretty good I thought. But, during gigs, trying to keep up with the band mix, the distorted presets sounded harsh and the sound seemed to kind of "break up" and go away. This amp is PLENTY loud. It just didn't seem to have the power to create a good, loud, rich, distorted tone. Buy Line 6 Spider III 120-Watt Guitar Combo Amplifier Cheap NOW! This amp also does NOT have a Line Out jack. Strange. I also bought the FBV express with it and didn't like it. I ended up buying the Shortboard which was MUCH better but $200 more. In summary: I'd say this is a great amp for learning, playing inside your house, or playing out at lower volumes with the one good clean channel. But, if you're looking for a gig amp, plink down the extra cash and buy a nice tube amp instead. There is no comparison. Buy Line 6 Spider III 120-Watt Guitar Combo Amplifier Cheap NOW! And it is a good quality amp. I have had no problems with it. I get good cleans out of it, and I get good distortion. I have plugged it into a 4x12 diezel halfstack and it sounds great, or it has been mic'd and sounds great. The tones are awesome. If you want to to hear it in a thrash style band, here it is. Buy Line 6 Spider III 120-Watt Guitar Combo Amplifier Cheap NOW! That's it Guys. 15 Amps Reviews for you! Hope it helps.